Eddie Izzard

What is Movie News After Dark? This is a question that I am almost never asked, but I will answer it for you anyway. Movie News After Dark is FSR’s newest late-night secretion, a column dedicated to all of the news stories that slip past our daytime editorial staff and make it into my curiously chubby RSS ‘flagged’ box. It will (but is not guaranteed to) include relevant movie news, links to insightful commentary and other film-related shenanigans. I may also throw in a link to something TV-related here or there. It will also serve as my place of record for being both charming and sharp-witted, but most likely I will be neither of the two. I write this stuff late at night, what do you expect?

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There’s something to be said about movies that adamantly refuse to give you whimsical circumstances or endearing characters. There’s something to admire about a movie that refuses to pander to its audience, instead expecting a certain degree of work and a different kind of investment from them entirely. Such is the situation in the indie-family-drama Every Day, the feature writing/directing debut by Nip/Tuck producer Richard Levine. Ned (Liev Schreiber) is a staff writer on a medical melodrama whose cheap theatrics are reminiscent of Grey’s Anatomy, and is growing increasingly sick of the limitations and deep lack of satisfaction experienced in both his personal and professional lives. His wife Jeannie (Helen Hunt, who really needs to be in more movies) has just moved her sick father Ernie (Brian Dennehy) across the country to take care of him at their home, but quickly realizes she is in over her head with the responsibility and the mess. Their openly gay son Jonah (Ezra Miller) is a high school student ready to start dating, but is suffocated by the overbearing paranoia and implicit homophobia of his father. The younger son Ethan (Skyler Fortgang) is suffering from, well it’s never made quite clear – either a dark chronic pessimism or performance perfectionism as a young violin player.

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