There’s something to be said about movies that adamantly refuse to give you whimsical circumstances or endearing characters. There’s something to admire about a movie that refuses to pander to its audience, instead expecting a certain degree of work and a different kind of investment from them entirely. Such is the situation in the indie-family-drama Every Day, the feature writing/directing debut by Nip/Tuck producer Richard Levine. Ned (Liev Schreiber) is a staff writer on a medical melodrama whose cheap theatrics are reminiscent of Grey’s Anatomy, and is growing increasingly sick of the limitations and deep lack of satisfaction experienced in both his personal and professional lives. His wife Jeannie (Helen Hunt, who really needs to be in more movies) has just moved her sick father Ernie (Brian Dennehy) across the country to take care of him at their home, but quickly realizes she is in over her head with the responsibility and the mess. Their openly gay son Jonah (Ezra Miller) is a high school student ready to start dating, but is suffocated by the overbearing paranoia and implicit homophobia of his father. The younger son Ethan (Skyler Fortgang) is suffering from, well it’s never made quite clear – either a dark chronic pessimism or performance perfectionism as a young violin player.