Everybody loves a nice vacation, but it can be difficult for parents, especially new parents, to make time for a quiet getaway. Understanding this problem, soon-to-be parents Beth and Francis take one last trip together before their baby is born. While traveling abroad, they are made aware of a remote island said to be among the most beautiful in the world. Upon arrival, they note the mysterious absence of any citizenry above the age of twelve. As they search for an adult, any adult, the reason for the island’s occupation by unsupervised children becomes horrifically clear. Then there’s the screaming. And the the running. Let us immediately dispense with the obvious: kids are fucking terrifying; we all know that. There are few subsets of the horror genre as fundamentally unsettling as the killer kid movie. And these are not your average tykes; their inclination toward savagery rivals the very worst of their grownup counterparts. Horror films, for better or worse, and in defiance of detractors who seek to broad-stroke marginalize it, are often the most direct cinematic confrontation of our collective fears. Many titles have artfully and eloquently explored the fear of motherhood/parenthood — Rosemary’s Baby, Aliens (though admittedly more sci-fi), and 1976’s Who Can Kill a Child? Come Out and Play is in fact a remake of Who Can Kill a Child, and the fact that it hasn’t lost a step in this over-35-years-later translation speaks to the universality of that fear.