Doreen Ringer-Ross

Film Composers panel

When you get three different musicians in a room, you never know what may happen. But when you get three composers in a room, it turns out there are more similarities between them than differences. Mark Isham, John Ottman and Aaron Zigman have an impressive combined resume having created the music for such films as A River Runs Through It, Crash, The Usual Suspects, Kiss Kiss Bang Bang, John Q, and The Notebook. While their musical styles may be different, their approach to their work is very similar. BMI’s Doreen Ringer Ross once again assembles an impressive panel for the Composer Coffee Talk (which featured actual coffee this year!) during this year’s Los Angeles Film Festival. Whether you are a composer, a filmmaker, or simply someone who appreciates good film music, read on to find out how Isham, Ottman, and Zigman deal with the changing musical landscape, how important a director can be to a composer’s career, and how communication and collaboration are the keys to success.



The “Coffee Talk: Composers” panel is always a highlight of my LAFF-ing each year and this year may haven taken the cake as it not only featured my number one composer from last year (Mr. Cliff Martinez, thanks to his outstanding scores for Drive, Contagion and The Lincoln Lawyer), but it also began with panelists Martinez, Rolfe Kent (Young Adult), and Michael Penn (Girls) breaking out into an impromptu performance of the Lawrence of Arabia theme with Martinez on djembe, Kent on ukulele, and Penn on theremin. These odd instrument choices made it clear from the start that this was a lively group and the discussion would prove to be just as unpredictable. Moderated by BMI’s Doreen Ringer-Ross, it was apparent from the start that this trio all have a great deal of respect for one another, but it was hard not to notice the good-natured competitive tinge to their respective relationships as well. Read on for the ten things I learned during this year’s composer panel.

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published: 01.25.2015
published: 01.24.2015
published: 01.24.2015
published: 01.24.2015

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