Don’t Trust the Bitch in Apt. 23

30 Rock

When we talk about joke-machine sitcoms, you know the type. They have the same sense of humor and dramatic climate as a 30 Rock episode. It’s the kind that’s hard to articulate, but easily recognized: comedies where misunderstanding the pronunciation of “rural juror” is a series-long gag and characters can change their attire by turning around and walking away without anyone raising his or her eyebrows. Tina Fey and company broke sitcom barriers with the show-about-a-show for more substantial reasons than just economizing sentences into rapid-fire jokes, but there’s no denying style played a key role. In plenty of ways, 30 Rock was equal parts insufficient and success; while its audience only ever grew sizable with Fey’s Sarah Palin skits, the little sitcom that could was a critical darling. More importantly, peers loved it. The show was awarded three Emmys for outstanding comedy series and holds the record for most nominations given to a comedy series in a single year (22). This month, the show will be nominated again in almost every category, for certain. And there’s even a fighting chance it will win in plenty of them, too. But the other sitcoms that sprung from the 30 Rock generation have not had the same fate.



What is Movie News After Dark? It’s a nightly entertainment news column returning from the long weekend with but a few items, all of which are like to make you quite happy. In fairness, they make me happy. I can’t say much for the rest of you, but I’ve got a good feeling about it. We begin this evening with another shot from The Dark Knight Rises. (I wonder if Catwoman still knows how deadly a kiss can be.) A number of websites have begun publishing tales of a visit they made to the set of Christopher Nolan’s latest last year. None of the individual accounts are worth your attention, but the folks at ScreenRant have made use of them, pulling out the best of the best for a Dark Knight Rises set visit round-up. Finally, something useful for the reader!


Channel Guide: A Column About TV

Ah, the television midseason. By now, the public has decided which new shows they’ll stick with (Revenge, 2 Broke Girls, New Girl), which they’re unsure about (Pan Am, Prime Suspect, Once Upon a Time) and which aren’t even worth thinking about (The Playboy Club, Free Agents). There’s little chance that if something hasn’t become appointment viewing by now, it’s worth cancelling the DVR season pass. So while we’re all finally getting over the tragedy that was Charlie’s Angels, the network bigwigs are using their highly-representative sample (comprised, one can only imagine, of elderly people, religious zealots, and the entirety of the state of West Virginia) to determine just what they’ll throw at us next. Sure, some of the best shows have been birthed out of a midseason replacement (ahem, Happy Endings, ahem), but the pickings are often more than slim – shows the networks don’t often find strong enough to debut with their fellow newbies in the fall. So what will we have to look forward to (or to run away from) in our TV Guide in the coming weeks? Sure, PBS will kick off the second season of critical and ratings darling Downton Abbey January 8th, while NBC’s 30 Rock is back January 12th. Cee-Lo Green will once again be gracing our television screens with The Voice’s post-Superbowl premiere, and Timothy Olyphant will be emanating his rugged swagger on Justified once more, as the lawman drama kicks off its third season January 17th. But what of the newly minted […]

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published: 01.27.2015
published: 01.27.2015
published: 01.26.2015
published: 01.26.2015

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