Dominique McElliogott

Not Fade Away

Editor’s note: David Chase’s feature debut hits theaters this week, so please feel free to rock out with this New York Film Festival review, originally published on October 7, 2012. Into a quiet moment between lovers, toward the end of his new film David Chase injects Plato. Introspective college student Grace Dietz (Bella Heathcote) turns to her aspiring musician boyfriend and quotes: “When the mode of the music changes, the walls of the city shake.” The line could read as an epigraph, the inspiration and core theme of the work. Yet, paradoxically, Not Fade Away rocks the boat significantly less than the 1960’s themselves, or even other movies that look back on this tumultuous period in the life of the nation. Rather, it plays like a form of American “heritage cinema,” to borrow a term from the Brits, fantasizing about a time gone by while carefully avoiding any of its real tensions. At core, Not Fade Away is a simple coming-of-age story. Douglas (John Magaro) is a skinny white kid in suburban New Jersey who, more than anything else, wants to play music. He’s a drummer with an excellent singing voice, and soon he finds himself in a band. They play covers of The Beatles and The Rolling Stones at local parties and dances but dream bigger. As he gets older, the band goes through the typical trials and tribulations: fights over love, fights over integrity, the loss of members, and on and on. And, of course, he is simultaneously […]

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published: 11.21.2014
D
published: 11.21.2014
B+
published: 11.19.2014
C+
published: 11.19.2014
B-, C


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