Dolphin Tale

Aural Fixation - Large

Whether purposely sending a helicopter into the eye of a tornado or believing you are a real life fairy tale character, it seems that no matter what films oriented towards the younger generation may be about (or who my star in them), the music featured in these films is not only well done, it is also (maybe more surprisingly) impressive. This fact is proven most handily in animated films like How To Train Your Dragon (with a score composed by John Powell) and Rango (composed by Hans Zimmer) which had the kind of full-bodied, moving sound you would expect to hear in an Academy Award winning film rather than a movie aimed at kids. That’s probably why Powell got his first Oscar nomination for Dragon. Granted Powell and Zimmer are accomplished composers in their own right and regardless of the genre they work in, their music is sure to be impressive, but lesser known composers working on these types of films also seem to create music that stands out. This question has come up several times, as each kid-oriented film would be entertaining enough, but the music would always stand out the most. This question came to the forefront of again while I was watching Journey 2: The Mysterious Island this past week and could not deny that even though The Rock was riding a giant bee with Luis Guzmán holding on for dear life behind him, the music driving the action was decidedly impressive. Composer Andrew Lockington was the […]

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The Reject Report

Just when you thought it was safe to station video cameras in an attempt to capture the nightly doings of some nefarious supernatural entity. Oh, those pesky ghosty things and their habits of turning innocent tea parties into screaming nightmares. That’s not based on first-hand experience, by the way. My tea party days are over. Luckily for Paramount, audiences were in the mood for chills this weekend, as Paranormal Activity 3 had a dump truck of cash backed up to its haunted house doors and unloaded. The third entry in the now-never-ending series not only trounced the competition and stunned box office analysts, its broke the records for both October opening weekend and Fall opening weekend. Both of those records were previously held by last year’s Jackass 3D, which debuted to $50.3m.

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…of the world. Maybe of the entire universe. Who knows what kind of movies or box office receipts they have in the far galaxies? Still, regardless how much money The Sands of WeepWoo makes on planet Brackle, it couldn’t have been stepped up to the how well the giant robots did this weekend. Real Steel didn’t break any box office records. Even for a robot movie, its opening was on the high end but still South of movies like A.I. Artificial Intelligence ($29.3m opening) and Robots ($36m). It did, however, have the biggest opening for a boxing film, topping Rocky IV‘s $19.9m debut from 1985. A nice sized opening like we see hear combined with how crowd-pleasing the film is could prove Real Steel to have some solid longevity.

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Animals, baseball, and animals, these latter being of the animated variety. Evidently that’s what it takes to keep four new movies from even breaking into the top 3 at the weekend box office. It was evidenced this weekend when none of the new hitters, granted none of them marquee titles that were looking to do $20m or better but new movies nonetheless, were able to take down three returning moneymakers. And one of those returners, Dolphin Tale, found its way into the #1 spot after a week of coming up behind The Lion King and Moneyball.

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This week, Fat Guy Kevin Carr decides he’s going to learn history from Hollywood. After all, why not when three out of the four major releases are based on or inspired by a true story. He learns about the true history of baseball with Moneyball (and was sorely disappointed it wasn’t called Monkeyball because a movie about monkeys playing baseball would have been awesome). Then he learns all he needs to know about marine mammals and depressed children in Dolphin Tale. Finally, he faces the cadres of screaming tweenage girls to see Taylor Lautner in ABduction. That’s based on a true story, right?

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The Reject Report

Hopefully it’s not a swing and a miss for Brad Pitt and Columbia Pictures this weekend. Oh, man. Sometimes these puns just write themselves. It’s another addition of the Reject Report, and once again we have four big hitters – there I go again – vying for the top spot. A baseball drama, a Jason Statham actioner, a movie about a cute, little dolphin, and Taylor Lautner. Guess which one of these I’ll be spending the least amount of space on. Hint. It ain’t the dolphin movie. So kick back, throw on your favorite catcher’s mitt, and enjoy your weekly box office analysis. I promise we won’t initiate the in-field fly rule this week. Yeah, that one doesn’t even make any sense.

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