Documentary

Moms Mabley was born Loretta Mary Aiken 31 years after the Emancipation Proclamation and 69 years before Martin Luther King Jr.’s “I Have a Dream Speech,” to say nothing of the women’s movement and the sexual revolution. She was a bad ass that spoke her mind and managed to make it funny. Now, according to Variety, Whoopi Goldberg plans on making a documentary of the triple X-rated trailblazer. “She could say stuff that nobody else could say. She talked about homosexuality, she talked about ageism, she talked about racism. She could be really risque, and she did all these great double-entendre jokes and talked about all this stuff without using one bad word,” said Goldberg. The project will be called I Got Somethin’ To Tell You and will chronicle Mabley’s career from the 1930s through the 1970s. It’s an admirable project with a hell of a subject. For just a taste, here’s Mabley asking if you’ve ever heard the one about the woman who asked her husband to buy her a bra:

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Fuji TV, Ridley and Tony Scott are asking that the people of Japan pick up a camera on March 11th to tell their own stories for a massive documentary project being called Japan in a Day. The project will join the growing number of crowd-sourced docs like Life in a Day (which was also produced by Ridley Scott) and the burgeoning world of Post-Tsunami filmmaking (which is in part getting started by Sion Sono). The goal, as with other films like it, is to get a ground-level viewpoint of the everyday in Japan to show the beauty of banality. Videos will be featured on their official Youtube page, and their team will assemble clips into a feature length film for a Fall release in Japan to be followed by an international release sometime later. And what about the people who can’t afford cameras? That’s right – rumors that all Japanese people have bionic, recording eyeballs are false – which is why Scott and Fuji are donating 200 cameras to areas hit hardest by the tsunami so that they can share their stories as well. The production has a trailer/call for films that celebrates the exciting world of walking, waiting, looking around, and otherwise going about your day. Check it out for yourself, and see those all-too-familiar things become poetry:

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The reason that Comic-Con Episode IV: A Fan’s Hope works is because it focuses on the very human story that’s sometimes lost during the event itself. Amidst the sprawling, sweaty mass of storm troopers and manga characters come to life, it’s easy to forget that there are people with hopes and dreams hiding under their latex. When footage was shown at Comic-Con last year, it seemed like it would be a huge explosion of good vibes toward a complex event. When it showed at Fantastic Fest, it proved itself to be sugary, but level-headed enough not to feel like a syrup-chugging contest. No, not everything about Comic-Con is sweet – especially the shifting focus away from comic books and toward other mass media – but director Morgan Spurlock is seasoned enough to know where the real stories are: in the people. Check out the trailer for yourself:

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After last year’s Arab Spring, there will undoubtedly be a host of documentaries and narrative projects with Middle Eastern revolution chanting from their cores. It will be interesting to see how well they stack up against The Reluctant Revolutionary because it should be considered the standard. Sean McAllister‘s tennis-shoes-on-the-ground doc is unexpected in its storytelling and unflinching in its display of the mass murders that cemented the people of Yemen against their leader, Ali Abdullah Saleh. But this story doesn’t start with crowds shouting from tents. It starts with a tour guide named Kais who can only see his business dwindling because of some disgruntled citizens. He’s actively against the revolution for that pragmatic reason, but even as his professional life deteriorates, his understanding and support of the movement dramatically shifts his opinions.

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Dozens of filmmakers have utilized music from The Chemical Brothers (Tom Rowlands and Ed Simons) for their movies, and the eclectic rave staple even snagged their first gig as film composers for last year’s Hanna and as contributors for Black Swan, but now they’re the subject of a concert doc that looks as fascinating visually as it does aurally. Don’t Think comes from director Adam Smith, who stole a page from The Beastie Boys’ Awesome; I Fuckin’ Shot That! to include both professional camera rig shots and personal cell phone footage of the tranced-out crowd – which seems fitting considering The Chemical Brothers (then, The Dust Brothers) got their start working with The Beastie Boys. Stuff a pacifier in your mouth and check out the trailer for yourself:

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The Best Short Films

Why Watch? Because if you send text messages or use Facebook, someone is making a profit off your information. This short, in the vein and style of last year’s Stuxnet: Anatomy of a Computer Virus is as informative as it is shocking, and as educational as it is visually impressive. Perhaps it’s even more important on a day like today, or maybe it’s the kind of information we should all be armed with no matter what. What will it cost? Only 3 minutes. You’ve Got Time For More Short Films

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Rewind This!

If you love movies as much as we do and you were born sometime before 1990, you probably remember going to your local video store to rent these black plastic things called VHS tapes. You see kids, back in the days before torrents and Netflix, back even before those shiny Blu-ray’s and DVDs, movies came on VHS tapes. They were almost always in full frame to match the aspect ratio of those old bulky tube TVs, they had static and tracking problems and you had to rewind and fast forward to get to different scenes. But what a sight it was to walk into a video store and see shelves and racks filled to capacity with the bright, vibrant cover art of VHS tapes. There are still thousands and thousands of films that were released on VHS that have never seen the light of day in another format. VHS revolutionized the movie industry and three young filmmakers from Austin, TX have banded together to tell its story.

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The Best Short Films

Why Watch? A great story is being told all the time, right under your feet. And because you’ve always wanted to go where you were told not to. With this doc, director Andrew Wonder lives up to his name. He joined forces with urban explorer Steve Duncan to dig around the New York subway system where mere mortals aren’t meant to go. “The following was filmed without consent or permits from the New York City Transit Authority,” pretty well sums up the attitude, and there’s certainly a rush of the illegal right at the beginning, but the overall feel is one of grungy beauty that’s there if we dare to view it. Absolutely phenomenal work here. What does it cost? Just 27 minutes of your time. Trust us. You have time for more short films.

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A director that jumps between the world of fiction and the world of documentaries is a rare one, but Wim Wenders is no ordinary director. According to Christopher Campbell’s excellent interview over at Documentary Channel, the veteran chameleon auteur (figure that oxymoron out) will pivot from the breathtaking dancing doc tribute to choreographer Pina Bausch to the bricks and mortar of architecture. Like Pina, which is in theaters now, the new production will be in 3D. Wenders had this to say, “I have always wanted to do a film about architecture, and I have a lot of architect friends. But that is another subject I never really knew how to approach with film. I realized through Pina that architecture is something that could have a real affinity to this medium. We started shooting already, but it’s at the very, very beginning. That’s going to be my next documentary project in 3D, but I would definitely also do a narrative film in the future in 3D as well.” The good news? This is going to be amazing. The bad news? It’ll probably be a few years before it’s ready. Then again, good things come to those who wait.

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Why Watch? There’s something simple and raw about this footage. In it, Jim Henson takes a group full of puppeteers and Muppets through some numbers (including a musical one). It’s a window into the way the master worked. At least, it’s a view to how he taught, and those methods are all part of the magic that we never got to see because it stayed backstage while the magic took the stage. What does it cost? Just 6 minutes of your time. Check out Muppets Counting for yourself:

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Modern American design and its history have become major preoccupations within contemporary cosmopolitan circles. Gary Hustwit recently finished his third documentary on the subject, Mad Men makes us nostalgically long for clean copy and clear utility, and the death of Steve Jobs brought forth considerations of the important connections between user-friendliness, sleek aesthetics, and the construction of products around human intuition. Making the case that we have still yet to exhaust what continually proves to be a fascinating and increasingly relevant subject, Jason Cohn and Bill Jersey’s historical documentary Eames: The Architect and The Painter traverses the fascinating life of a couple whose contributions broadly determined what modern postwar American life looked and felt like. As narrator James Franco romantically points towards the beginning of the film, Charles Eames was an architect who never got his license, and Ray Eames was a painter who rarely painted. Perhaps the most fascinating aspect of their influential lives was that they rarely operated within the confinements of either of these titles. They couldn’t be pigeonholed as architects, marketers, filmmakers, etc,. And as such, their work reflected an impending new world of convergence where art, commerce, and visual culture all became deeply related during the second half of the twentieth century. The many lives they influenced can be evidenced by the occupational variety of well-regarded professional people who lend their sound bites to the lives of Mr. and Mrs. Eames including filmmaker Paul Schrader, TED founder Richard Saul Wurman, and architect Kevin Roche.

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Why Watch? Whether you agree or disagree with the Occupy Movement‘s messages or goals, it’s still fascinating to see how our culture and our political structures are dealing with a mass demonstration in our time. This, clearly (but cleverly) one-sided short documentary takes footage from the latest ouster of the protesters from Zuccotti Park and inserts a stirring, ironical melody behind it. Draw your own conclusions. What does it cost? Just 3 minutes of your time. Check out The Raid on Zuccotti Park for yourself:

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The supplementary title for Werner Herzog’s new documentary about capital punishment is “A Tale of Death, A Tale of Life.” These clauses are placed in a perplexing order that seems, at first, to run in reverse. However, when viewing the film, it becomes abundantly clear why life is not necessarily a linear trajectory that ends in death, with all the mutual exclusivity implied in the assumed separation of these categories. Instead, Into the Abyss argues that death is something one perpetually lives with, especially the certain knowledge of impending death in the case of state-run execution or in the memory of death when one’s loved one has been murdered. The certainty and harsh reality of death not only plagues the prisoner and the victim’s kin, but also profoundly effects a large array of individuals involved directly or indirectly with every heinous crime and execution. The timing of the release of Into the Abyss is worth noting. In September, Troy Davis was executed in the face of massive public protest and significant lingering doubts as to the fairness of his trial. Many anti-death penalty advocates saw the case as a potentially fatal blow for state-run execution, as it illuminated flaws within the system which in turn troubled capital punishment’s logic of justice. A mere two months later, the Troy Davis case has been almost completely forgotten in the public sphere as the news cycle has turned its lenses to Occupy movements and the ongoing reality show known as GOP debates. The […]

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Why Watch? Vinyl collection is a growing trend, and this raw documentary focuses on the personal reasons a handful of collectors give for why they’ve become addicted. It’s a bit raw, but the rough edges actually help it out. This is clearly an independent, student production that doesn’t have time or money for the fancy stuff, and the result is a doc that digs down to the roots of its subject. The short also raises some important questions. Why buy a CD when you can make your own? Does vinyl give a greater sense of ownership than downloading a digital copy? Are we reaching back to the past because we’re broke? And of course, beyond the questions, it features some great music. What does it cost? Just 10 minutes of your time. Check out Finding the Groove for yourself:

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Why Watch? A break from one type of art leads to the love of another. The Made By Hand series is young, but proving itself to be peerless as a documentary series. The second film, after a stunning look at a gin distiller, chronicles how writer Joel Bukiewicz took up the craft of making knives and got really, really good at it. It creates a balance between his old art – creating abstract pieces that might never be seen – for his new one – building practical elements that people can use and admire everyday. Celebrating artisans who make things with their hands is a fascinating, compelling starting point, but the doc itself drops jaws with its sheer beauty and in the execution of its insightful storytelling. What does it cost? Just 10 minutes of your time. Check out The Knife Maker for yourself:

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It’s not that fonts aren’t interesting. They are. To some people. It’s that director/producer Gary Hustwit managed to make them downright fascinating in his documentary Helvetica. He continued that visual lust with Objectified – which explored manufactured things in a way that made assembly lines seem riveting. Even the assembly lines where literal riveting was taking place. Now, his love of objects grows bigger and more complex with Urbanized, a documentary about the design of whole cities and the flow of human beings though them. The trailer displays the same playful-yet-poignant tone of his other projects, and his resume speaks for itself. There’s no doubt that this will be another interesting entry into filmic exploration of the things that we live with (and in and around and on). Check it out for yourself:

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Why Watch? A brief examination of a growing, brass-filled culture. PBS‘s Off Book series is a wondrous mini-doc collection that examines some fascinating parts about our culture and society. In this installment, they get antique without getting rusty with the growing geek movement or art, music, dance and theater that we know (and love) as Steampunk. It’s a joyous window with a small view into the world, and as an October bonus, there’s even talk of a Steampunk Haunted House. Plus, they close out the doc with 7 Things That Are Better Steampunk’d. Yes, Hello Kitty is involved. What does it cost? Just 5 minutes of your time. Check out the trailer for Off Book: Steampunk for yourself:

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Culture Warrior

Of all the things associated with its reputation, probably the most immediately apparent aspect of Claude Lanzmann’s incredible Holocaust documentary Shoah (1985) is its daunting, mammoth running time of nine and a half hours. While Shoah has, then and now, been lauded as an incredible achievement in cinema, its running time has contributed to an understanding of the film as primarily a project of historical documentation. In using no archival footage and only capturing the contemporary lives of Holocaust survivors, historians, scholars, and the occasional aging Nazi functionary complicit in evil’s banality, all juxtaposed with extensive footage of the ruins and landscapes of the Polish grounds where these crimes against humanity took place, Shoah is typically understood to be an important means of making permanent the words of those involved long after their lifetime. Shoah is certainly a service to the preservation of history, and watching it twenty-six years after its original release (add a decade or less to the time when many of its subjects were originally filmed), I couldn’t help but wonder how many of these individuals have since passed on, which makes me thankful that Lanzmann made these efforts in the first place. Shoah’s contribution to history is an essential one that should never be underestimated, but this shouldn’t prevent us from examining and appreciating Shoah as an incredible cinematic achievement as well.

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As most of you probably know, there are a bunch of people hanging around Wall Street these days. Making signs, waving them, voting to see what they do next. It’s a growing movement that’s recently been joined by Anonymous threatening to remove the New York Stock Exchange from the internet on October 10th. Normally in a situation like this, the whole world would watch as it plays out before hearing that some studio has optioned the rights to tell the story fictionally, but in this case, independent documentary filmmakers are banding together to make sure that the event is showed in its purest form. A Kickstarter campaign was started for 99% – The Occupy Wall Street Collaborative Film by Audrey Ewell and Aaron Aites (the filmmaking team beyond the Black Metal doc Until the Light Takes Us). Other filmmakers involved include Tyler Brodie (executive producer for Another Earth and Pi), Michael Galinsky (Battle for Brooklyn), Ava DuVernay (publicist and writer/director of I Will Follow), and to illustrate how quickly this thing is moving forward, Bob Ray (the Austin-based writer/director behind Total Badass) joined while I was writing this post.

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Why Watch? Prepare to be fascinated. Before directing the fantastic Shut Up Little Man! An Audio Misadventure, Matthew Bate was looking into a different kind of audio. His 2007 short documentary turns up the volume on the power of electronic music – ranging from the early pioneers to the dance music of today. It’s an experimental, first-rate example of collage filmmaking with a subject that’s compelling and shared in a fresh way. And to hear more audio, check out our podcast interview with Bate on making art without your subjects knowing. What does it cost? Just 26 minutes of your time. Check out What the Future Sounded Like for yourself:

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