Directing

Ridley Scott on Alien Set

Of the directors we’ve covered in this feature, Ridley Scott might be the most forward. He’s brash an unorthodox, and when speaks, you get the sense that he threw his filter in the trash years ago. At this point, brass buttons are well-deserved. Alien, Blade Runner, Black Rain, Thelma & Louise, Gladiator, Kingdom of Heaven, Black Hawk Down, and a popcorn bucket-full more prove the man’s vision as a storyteller. A movie fan from a young age, Scott first found success as a commercial director. His first flick, The Duelists, was hailed at Cannes but made it to few screens beyond. It was a science fiction journey featuring a seven-member crew woken from stasis to explore a strange signal that made him a major name, and this weekend he dives back into that world with Prometheus. So here’s a bit of free film school (for fans and filmmakers alike) from a bloke from South Shields.

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Wes Anderson

Oh, Wes Anderson. Some have already gotten to see his latest film, Moonrise Kingdom, and even more will see it as it opens wider this weekend. Without seeing his name on the title cards, it’s easy to spot as one of his projects. The auteur has developed a look and feel all his own – usually constructed by primary colors, detailed set design, Britpop, and Bill Murray. This Texan who often lives in France is idiosyncratic in his storytelling, but he’s also unafraid to put his personal demons onto the screen (in as twee a way as possible). From Bottle Rocket to Rushmore to Fantastic Mr. Fox, his work is usually ridiculously rich and infinitely quotable. So here is a bit of free film school (for fans and filmmakers alike) from the son of an advertiser and an archeologist.

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Culture Warrior

Famed British filmmaker Mike Leigh recently received his fifth screenwriting nomination for Another Year. Another Oscar nomination for a highly celebrated filmmaker should be surprising to no one except, in this special case, for the fact that precisely zero of Leigh’s nominated films actually use screenplays. Leigh’s films are constructed through a painstaking and long-term process of creating characters and scenarios with his cast and creative team. His films aren’t improvised in the sense of, say, a Christopher Guest film, where a basic framework exists and actors are allowed to ad-lib and play with(in) that paradigm. Leigh’s films are instead created from the outset through an involved collaborative process. Leigh’s regular team of actors bring to each individual film their construction of a character from scratch. Details arise eventually through this collaboration, and the final work projected onscreen is the end result of a long selection of various possibilities. The only reason Leigh’s films even qualify for screenwriting awards is because of the written script that Leigh creates after the end product has been made. The physical screenplay, in this case, is nothing more than a transcription written after the fact, or a record of a much larger event (whose details are largely unknown to the audience). While Leigh is the sole nominee for Another Year, the creation of the script (or, in this case, the transcript) is just as indebted to the creative efforts of other individuals involved. Stars Jim Broadbent and Lesley Manville are, in a sense, just […]

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ScarJo wants to make movies. We are okay with that…

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published: 04.19.2014
A-
published: 04.19.2014
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published: 04.18.2014
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published: 04.18.2014
C

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