Digital Filmmaking

Transformative technology. Fips. The Marvel Model disrupting superhero movies (and how it can survive alongside perpetual reboots). The literal death of film. Megan Ellison saving movies. The sleeper hits of 2012 and a great movie year for every kind of fan. Emerging independent funding. Fans saving shows with their own money. The digital horizon. Here at the end of the year (and the end of this podcast) I’ve asked FSR associate editor Rob Hunter, Cinema Blend editor-in-chief Katey Rich, Movies.com managing editor Erik Davis and screenwriter Geoff Latulippe (Going the Distance) to talk about the things that will never be the same again in the movie world after 2012. They’ve come through with some incredibly interesting answers. Plus, your view on what’s changing and a look ahead to the future. Download Episode #156

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Ridley Scott on Alien Set

Of the directors we’ve covered in this feature, Ridley Scott might be the most forward. He’s brash an unorthodox, and when speaks, you get the sense that he threw his filter in the trash years ago. At this point, brass buttons are well-deserved. Alien, Blade Runner, Black Rain, Thelma & Louise, Gladiator, Kingdom of Heaven, Black Hawk Down, and a popcorn bucket-full more prove the man’s vision as a storyteller. A movie fan from a young age, Scott first found success as a commercial director. His first flick, The Duelists, was hailed at Cannes but made it to few screens beyond. It was a science fiction journey featuring a seven-member crew woken from stasis to explore a strange signal that made him a major name, and this weekend he dives back into that world with Prometheus. So here’s a bit of free film school (for fans and filmmakers alike) from a bloke from South Shields.

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This is the fight of the generation. The proliferation of technology, the cost and the spread of “democratic filmmaking” have propelled digital to the forefront, threatening to end 35mm as a platform. As more theaters convert wholly to digital projection and “projectionists” only understand how to press a button to make the movie work, the 100-year-old medium of preference is losing out. Which is why Christopher Nolan gathered the most prominent filmmakers together to watch 6 minutes of The Dark Knight Rises. As Gendy Alimurung writes in an absolute must-see article in LA Weekly evocatively titled, “Movie Studios Are Forcing Hollywood to Abandon 35mm Film. But the Consequences of Going Digital are Vast, and Troubling,” Edgar Wright, Michael Bay, Bryan Singer and a host of other notable names were brought in for the “ulterior motive” of Nolan’s plea to save 35mm. Now, he’s fighting with ink. In the latest edition of the DGA Quarterly, the master filmmaker has some lofty words for 35mm and a strong dismissal of change for change’s sake.

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published: 04.18.2014
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published: 04.18.2014
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published: 04.18.2014
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published: 04.18.2014
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