Death Proof

Home Alone Talkboy

Defictionalization is when something that previously only existed in a movie universe comes to life. Films and TV shows are now taking advantage of this more than ever before. In the world of TV, Castle has spawned a series of books by Nathan Fillion’s crime novelist character; Parks and Rec has spawned a guide to Pawnee written by the characters themselves; and Archer is now releasing an album recorded by Judy Greer’s character Charlene (and not, apparently, by Judy Greer). Here are ten great examples of fictional products from movies that became defictionalized in interesting ways:

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Django

Editor’s Note: This article contains spoilers for Django Unchained (and all of Tarantino’s other films). With Django Unchained, Quentin Tarantino has taken a decisive shift in his approach to storytelling. Abandoning the non-linear, present-set depictions of an organized criminal underworld in Reservoir Dogs, Pulp Fiction, Jackie Brown and the Kill Bill films, Tarantino has not only transitioned to more conventional linear storytelling (with the exception of the requisite flashback), but chooses familiar historical contexts in which to tell these stories. With the WWII-set Inglourious Basterds and now with the pre-Civil War-era Western Django, Tarantino has made a habit of mixing the historical with the inventively anachronistic, and has turned recent modern histories of racial and ethnic oppression, dehumanization, and extermination into ostensibly cathartic fantasies of revenge against vast systemic structures of power.

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31 Days of Horror - October 2011

They said it couldn’t be done. A fifth year of 31 Days of Horror? 31 more terror, gore and shower scene-filled movies worth highlighting? But Rejects always say die and never back away from a challenge, so we’ve rounded up the horror fans among us and put together another month’s worth of genre fun. Enjoy! Synopsis In Robert Rodriguez’s instant zombie classic, a small Texas town becomes ground zero for a gruesome epidemic when the Army’s “Project Terror” – a biochemical doomsday weapon – mutates a platoon of soldiers (and eventually most of the townspeople) into raving, pustulent cannibals. Leading the charge against the zombies are a hard-assed sheriff (Michael Biehn), a lone wolf with a checkered past (Freddy Rodriguez (no relation to Robert)) and Cherry Darling – a one-legged go-go dancer (Rose McGowan). Of course, she’s not one-legged at the start of the film. That would make no sense. How she loses the leg and winds up with a machine gun prosthetic is a tale for the annals of horror legend.

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Artistic license, originality, worthwhile dialogue and the meaning of life are all discussed as Film School Rejects Conrad Rothbaum and Robert Fure go head-to-head in the first entry in the new FSR feature, “Shouting Match.”

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Quentin Tarantino Speaking at Cannes

The man’s formative years were spent flinging his extensive film knowledge in the general direction of willing and unwilling ears and his movies are laced with comments on films, past and present. So who better to stand in front of a room full of attentive film lovers and natter to his heart’s content?

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Looking back on the year that was 2007, what scenes or moments from films will live on? What will people be quoting a year from now — McLovin or Dewey Cox?

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Get ready folks — here comes the box set you’ve always been wanting — and you can have it if you live.. in Japan.

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H. Stewart

Death Proof

Movie News By H. Stewart on October 28, 2007 | Comments (13)

Death Proof opens on a pair of shapely feet, with polished toes, natch, resting on a sunlit dashboard. Tarantino needn’t even bother putting his name in the credits anymore.

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published: 12.19.2014
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