Deadfall

Deadfall

Deadfall is a prime example of a film losing steam too quickly, making it an exceedingly weak and limp effort from The Counterfeiters director Stefan Ruzowitzky. What starts off as a promising, chilly crime yarn turns out to be another generic thriller, always hitting the beats we expect. The structure is in place to make for a decent B-movie, but Ruzowitzky deflates almost every scene with standard, by-the-book flat filmmaking. How formulaic is it? This formulaic: Jay (Charlie Hunnam) has just been released from prison. Don’t worry, though, he’s really a (mildly) innocent man. He also isn’t your “average criminal,” because most criminals don’t happen to be former Olympian boxers. Who live by the border of Canada. Who get tangled up in some bad (read: nearly wacky) situations. It’s  just a real shame for Jay that two casino-robbing siblings, Addison (Eric Bana) and Liz (Olivia Wilde), attempt to take advantage of him and his family on Thanksgiving. Their plan heats up, though, once Liza and Jay start to feel something for one another. Obviously, nothing new going on there. What is missing to make it work is any sense of investment from Ruzowitzky. He takes joy in constructing some of the film’s action, but when it comes to Hunnam’s character, his dopey love story, and his conflict with his parents, Ruzowitzky appears more bored with it all than we are.

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Austin Film Festival 2012

As the leaves begin to turn (not really) and the temperature begins to cool (again, not actually happening), it’s clear that fall is upon us here in Central Texas. But even more so than the slightly reduced electric bills due to being able to turn your AC off for one day, there’s no better sign that fall is here than to see the Austin Film Festival and Conference roll into town. It’s the third of the major festivals on Austin’s yearly film calendar, and like its brethren SXSW and Fantastic Fest, has a unique appeal. It is first and foremost a conference for industry folk, namely screenwriters, that often brings the likes of Mitch Hurwitz, Shane Black and this year, Sopranos creator and Not Fade Away director David Chase in to talk to crowds of industry hopefuls. They also do show a number of films, which is ultimately what has our interest. Sure, there may be a lot to learn in the “Improving Your Logline” panel, but we’re not sure that too many of you would want to read the resulting article. So we’ll stick to the films, as we’ve done since 2006 when AFF became the first festival we ever covered as a site. As we look down the line-up of AFF 2012, it’s hard not to think that we’re seeing the festival equivalent of a rebuilding year. The entire line-up of films is undoubtedly lean, with only a few hot titles. What once was a refuge for Toronto Film Festival hold-overs has become a mish-mash of […]

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Deadfall 2012

There was a time in Stefan Ruzowitzky‘s career that he was directing Matt LeBlanc as he tried to end WWII. Things have progressed from there. Now, Ruzowitzky has Eric Bana, Olivia Wilde, Charlie Hunnam and more notables all trying to survive the cold of the Canadian border. In Deadfall, Bana and Wilde play a brother-sister set of robbers who snagged a bunch of bills from a casino and are trying to make it out of the country. Hopefully everything goes smoothly! Just kidding. They crash a car, kill a cop, and then frozen feces really hits the fan. Check out the trailer for yourself:

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Earlier this week, our own Cole Abaius announced the first wave of this year’s Tribeca Film Festival‘s film lineup. That assault was impressive enough, complete with lots of compelling picks in the World Narrative Feature Competition, World Documentary Feature Competition
, and Viewpoints sections, but today’s release of the final feature film sections is a whole other volley of firepower. With today’s announcement of their Spotlight, Cinemania, Special Screenings, and the 2012 Tribeca/ESPN Sports Film Festival, the fest has completed their feature announcements – and made me start to wonder if I should try to hit Gotham for the festival, running April 18 – 29. Picks that stand out to me already include the delightful 2 Days in New York, Chicken With Plums, Don’t Stop Believin': Everyman’s Journey, The Giant Mechanical Man, Headshot, Lola Versus, Take This Waltz, Your Sister’s Sister, and Sleepless Night. Check out the full list of films (along with Tribeca-provided synopses) after the break.

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published: 11.26.2014
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published: 11.26.2014
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published: 11.21.2014
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published: 11.21.2014
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