Dawson’s Creek

Austin Cinematic Limits

Okay, I admit it. I used to watch Dawson’s Creek – only the first two seasons though, and I only watched it for its dialogue. Really! Other than introducing me to the acting talent of Michelle Williams, Dawson’s Creek also provided me with a glimpse of Rob Thomas‘s writing style. Though Thomas was only credited as a writer on two episodes during season one - Prelude to a Kiss and In the Company of Men – his knack for whip-smart dialogue really left an impression on me. Nonetheless, I was always too embarrassed to admit to ever watching Dawson’s Creek. Six years later, I got hooked on Veronica Mars – which Thomas created, executive produced, wrote 64 episodes of, and directed two episodes for. I used to get mocked and ridiculed by friends for watching a television series about a teenage detective, but I didn’t care. The writing was so incredibly intelligent, the music was fantastic (I love the Britt Daniel karaoke scene in season two), and I actually got all of the pop culture references; so I felt like the series was written for me, not teenagers. With the cancellation of Veronica Mars came Party Down – a television series created by Thomas, John Enbom, Dan Etheridge, and Paul Rudd. Other than serving as a co-creator and executive director, Thomas was not very involved in Party Down; he co-wrote the unaired pilot and one episode for season one (most of his time was relegated to working on Cupid for ABC). Nonetheless, Party Down still bares the undeniable mark […]

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Rob Hunter loves movies. He also loves working for the local “retirement home” as head geezer catcher… basically he gets a call whenever one of the elderly residents escapes wanders off in a daze from the home. These two joys come together in the form of cash money payments that he receives every week and immediately uses to buy more DVDs. This week… Up, The Merry Gentleman, Spread, and more!

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