David Harewood

Matt Damon

What is Casting Couch? It’s not so much a couch as it is a list, a list of recent castings. And it seems to be talking a lot about World War II today. George Clooney and Matt Damon must have decided that they both look super handsome when they’re standing next to each other, because not only have they already worked together on the Oceans movies and Syriana, but now Deadline is reporting that Clooney has decided that he’s going to cast Damon in his next project as a director, The Monuments Men. This is that one about the museum curators who try to save as many artifacts and works of art as possible during the Nazis’ slash and burn campaign that took place during the dying days of World War II. If Damon’s negotiations go well and he signs up, he’ll be joining a cast that already includes Clooney himself, Daniel Craig, Bill Murray, Cate Blanchett, Jean Dujardin, John Goodman, Hugh Bonneville, and Bob Balaban—which is enough big name actors that they should probably just cash in and rename this thing Oceans Monuments Men.

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Over the last month, many critics and even its creators have been citing Showtime’s new series Homeland as the first “post-post-9/11 program” as it deals with the issue of what to do now that the biggest threats of the last decade have been eliminated. It’s hard to say if that’s truly the case, but for now it would be fair to say that Homeland is the first legit espionage show to appear on the small screen in years. Legitimate in that this is a very realistic portrayal of what the word ‘espionage’ means. Webster defines it as “the practice of spying or using spies to obtain information about the plans and activities especially of a foreign government or a competing company.” It doesn’t make mention of aggressive tactical operations, shootouts, explosions, fist fights or kick boxing matches. The verbal form of spying, no matter the definition one uses, refers to the basic act of observing, not fighting. So much of what’s portrayed in television and film of the spy world is focused on offensive measures, often times meant to be interpreted as defensive counter-measures. But, in Homeland that concept is reversed, and to great effectiveness. Rarely do we get to see the truly defensive measures that are taken on U.S. soil and what our intelligence community’s response is when we are the foreign entity being infiltrated.

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