Darren Shahlavi

What do you get when every episode of your show is only 10 or so minutes long? This week it’s two action sequences and a plot point. When we last left our players Sonya Blade had freed herself from her chains and her rescuer Jax and the jerk that chained her up Kano were diving away from an explosion. When this episode begins we are dropped back off in the warehouse, right in the middle of some more shooting and fighting. First a newly freed Sonya Blade takes out some lackeys and finds herself some firepower. That’s one of two action sequences in the episode, and it’s very brief. The bulk of what we get for the rest of the run time is a hand-to-hand fight between Jax and Kano. What I saw here was a big indication of where this web series is heading in the future and what it’s going to accomplish. If you’re going to make a serial show about Mortal Kombat, probably the most essential thing that you’re going to need to get right is the hand-to-hand fighting. Now that we’ve seen some fisticuffs between two of the big characters, I have more confidence that Mortal Kombat: Legacy is getting things right.

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What started out as a web short, and what may some day become a feature length film, is currently a debuting web series. A company named Machinima, in conjunction with Warner Bros., brings you the first episode of the new web based series Mortal Kombat: Legacy. The first episode tells the story of an evil guy named Kano (Darren Shahlavi) who has a hideout where he leads a force of evil guys in evil tasks, and their captive Sonya Blade (Jeri Ryan) who is a police person of some sort. The thrust of the episode’s around 11 minute runtime is a pair of police named Jackson Briggs (Michael Jai White) and Kurtis Stryker (Tahmoh Penikett) leading an assault on Kano’s compound and trying to get Sonya out. Technically, the show is up to par with any sort of action sci-fi show that you might see on basic cable currently, so clearly Warner Bros. is investing a decent amount of money into this project. But aside from the purely financial concerns of what they’re capable of doing, the show is pretty artistically put together as well. The image looks very digital. I guess that’s to be expected, as it’s largely the advances in digital photography that are making projects like this possible, and the slight waxiness of the actors doesn’t take much away from the aesthetics of the show. Much of what we see is set in a dark warehouse, and while we largely get a shadowy noir look to things, […]

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