Dana Carvey

Bad Boys

We didn’t get enough of Michael Bay‘s ego blowing the world up a few weeks ago. We’re interested in more. That’s why in this week’s Commentary Commentary, we’re covering Bay’s first movie, the calling card, if you will, that would eventually launch this man to such great heights, he could make hundreds of millions of dollars playing with toy robots. We’re talking about Bad Boys. No, I’m not gonna sing the song. Thought about it. Decided to pass. Bad Boys started a lot of things. It began Will Smith‘s rise to divine power. It started something with Martin Lawrence that would eventually sputter out some time around Bad Boys II. Poor guy. Black Knight just wasn’t a good idea. Mr. Bay is sure to spew all kinds of love for both of these guys, as well as the massive number of explosions we’ll be seeing throughout the film. His Armageddon commentary was so much fun and surprisingly insightful, so there’s no telling what we’ll be in store for with Bad Boys. Whatcha gonna do? I couldn’t help it.

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Adapted from the Henry James classic of the same name, Wayne’s World traces a young provincial girl’s journey toward self-realization and womanhood.

Not!

(It was necessary that a “Not” “joke” be worked into this at some point, so let’s just be thankful that we’ve gotten it out of the way this early.) Wayne’s World is, of course, the film adaptation of the seminal, 90s, Saturday Night Live sketch about two slacker BFFs, Wayne Campbell (Mike Myers) and Garth Algar (Dana Carvey). The duo host a wildly popular, Aurora, Illinois-based public-access show, broadcast from Wayne’s parents’ basement. The film elaborates on this premise by giving Wayne a robo-babe love interest, Cassandra (Tia Carrere), and introducing Benjamin (Rob Lowe), a smooth-talking television executive who plans to exploit “Wayne’s World’s” popularity and drive a wedge between Wayne and Cassandra.

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