Dan Rush


This week, Fat Guy Kevin Carr gets set for another weekend of weddings with Kristen Wiig and her posse. Sadly, he discovers that he doesn’t have a vagina and decides to move on. Next, he takes a trip to an alternate world where priests kick ass and kill vampires. Once he realizes he is woefully out of place next to sultry Maggie Q in a ninja priest outfit, he comes home to find his possessions kicked to the curb with Will Ferrell in the middle of the whole mess.



As a first-time filmmaker’s adaptation of a serious-themed source, with a comic star as its lead, the odds were stacked against Everything Must Go. Yet writer-director Dan Rush’s cinematic debut is a rare successful feature-length short story adaptation. Rather than fortifying Raymond Carver’s Why Don’t You Dance? with false dramatic notes or thin conceptual embellishments, Rush builds on its compelling premise. With a likable Will Ferrell as its lead and a suburban street setting imbued with great allegorical significance, the film offers an incisive personal spin on these tumultuous economic times. After losing his job and falling off the wagon, a depressed Nick Halsey (Ferrell) returns to his upper middle class Arizona home to find his wife has left him. Not only has she absconded from their marriage, she’s changed the locks and dumped his belongings, all of them, on the front lawn.



Alcoholic. Out of work. Tossed out by his wife. These are not the kinds of things that begin a wacky adventure, but Will Ferrell looks to be digging into his Stranger Than Fiction light drama past to deliver his performance for Everything Must Go. In it, he plays a man with all three aforementioned qualities in addition to his new station in life: living on his front lawn in a state of prolonged yard sale. It’s unclear just how dire everything will turn, but it’s likely he won’t be praying to newborn, baby Jesus to get him out of this mess. Check it out for yourself:

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published: 01.30.2015
published: 01.29.2015
published: 01.28.2015
published: 01.28.2015

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