Dallas International Film Festival

Austin Cinematic Limits

Eric Rohmer’s La Collectionneuse (1967) serves as a purposeful point of reference for writer-director Will James Moore’s Satellite of Love — not only does Moore cast the lead actor of La Collectionneuse (Patrick Bauchau) as an eccentric friend, but Moore even mimics the tranquil Mediterranean atmosphere of La Collectionneuse by setting Satellite of Love in the vineyards of the Texas Hill Country. Satellite of Love maintains the visually vibrancy of the French New Wave, particularly with its impeccably crafted mise-en-scène. Satellite of Love is absolutely gorgeous, from the oh-so-beautiful cast to Steve Acevedo’s masterful cinematography. Rohmer would probably be very proud that he inspired Moore’s film. Moore and I have been in correspondence ever since the film’s world premiere at the 2012 Dallas International Film Festival; but it was not until the 2012 Austin Film Festival that I finally had a chance to sit down with him and Jonathan Case (co-writer and music supervisor) to talk about Satellite of Love and making films in Central Texas.

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Austin Cinematic Limits

I know you are all wondering which local film was my favorite at SXSW 2012, and though I know that you know that by asking that question you are placing me in a very awkward position because I do not like to play favorites I will oblige your request nonetheless. Kid-Thing. There, I said it. Are you satisfied now? I suspect I will find a severed horse’s head in my bed courtesy of Jonny Mars (America’s Parking Lot) and/or Bob Byington (Somebody Up There Likes Me) as early as tomorrow morning. Thanks a lot! Well, can I backtrack and say that they were all great?

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