Cool Media

Criterion Files

David Cronenberg’s Videodrome is the Network of participatory media. Where Sidney Lumet and Paddy Chayefsky’s celebrated 1976 masterpiece rather accurately predicted televised sensationalism and infotainment, Videodrome’s ideas about media’s dissemination and our relationship with it continues to reveal its incredible foresight nearly thirty years after its initial release. Just as Network is now hardly satire, Videodrome seems less and less a work of science fiction. Sure, digital technology has brought many of Videodrome’s ideas into stark realization more so than the analog technology depicted throughout the film (a disconnect literalized by Criterion’s clever faux-Beta DVD packaging of the film), but the film’s many astute (and foreboding) observations about our evolving relationship to media technology is nothing short of profound.

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