Colombiana

The Reject Report

I may have spoken a little too soon about the Circle of Life in this week’s Reject Report. The Circle of Life isn’t complete until a 17-year-old film, The Lion King in this case, gets re-released in 3D on over 2,300 screens and subsequently takes the box office by storm. That’s right. More than 17 years after its initial run, which pulled in $825.7m worldwide, The Lion King has Hakuna Matata’ed in the #1 spot yet again. It didn’t match the $34.2m opening weekend numbers it made the first weekend of July in 1994, but it came reasonably close. Close enough to let Disney as well as anyone who even had an inkling of an idea to re-release an older film in 3D know that that might be the way to go. Just five weekend ago article were being written about the possible demise of 3D. With films like Conan the Barbarian and Fright Night not living up to expectations, it seemed the novelty of seeing films that literally come at you may have been at its frayed end. Of course, you can’t give 3D all the credit for The Lion King stacking up against the competition. The film is a classic, regarded by many as one of Disney’s best, and the children of 1994 who fell in the love with the film are now taking their own kids to watch it. Even without the 3D element it’s a formula for success, one made even more potent with the added […]

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The Reject Report

I thought about opening this Reject Report with a play on the lyrics to “Circle of the Life.” A certain Disney classic is getting its re-release in 3-D this weekend, and you know how we love playing around with lyrics here at the Reject Report. But then we witnessed Ryan Gosling wearing leather driving gloves. Never mind the white bomber jacket complete with scorpion embroidered on the back. Those gloves are what we focused on. Then, after about 45 minutes of staring, we remembered we have a job to do. There’s box office analyses that need to be…um…analyzed, and four new wide releases to split the box office dollars between them. Two R-rated thrillers, that Disney classic that’s getting a re-release on over 2300 screens, and a rom-com starring Sarah Jessica Parker. Over/under on how many words I give that movie.

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The Reject Report

America had a fever…and the only cure…was more fever. Not cowbell this time. Steven Soderbergh’s Contagion hit audience wallets hard this weekend bringing the director his biggest opening outside of films starring Julia Roberts. Maybe there is something to that American darling. Contagion was pretty well on par with analysis, knocked The Help off of its three-week pedestal, and ended up taking the #1 spot with a feverish vengeance. Okay, enough quips about sickness. Well maybe one or two more. As far as disaster movies go, the $60m star-studded film was pretty middle of the road, fitting in as far as opening weekends go between Poseidon‘s $22.1m and Knowing‘s $24.6m. Of course, looking at that reported budget, you can tell the film will be just fine in the long run. Most of the disaster films that have much bigger openings are Summer blockbusters, most of them involving some sort of alien being blowing up national monuments. But Soderbergh proved that even with a whimper you can create an effective end-of-the-world scenario and still rake in some decent cash.

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The Reject Report

They came. They stood. They weren’t afraid of a thing. And when the dust settled, they swept that up with the rest of the competition. Here in its third weekend out, The Help continues to pull in new as well as repeat audiences, and is very close to breaking the $100m barrier. Subsequent from its opening weekend, its percentage drops have been quite impressive: 23.1% down last weekend from the weekend before and 28.4% down this weekend from last. Though future weekends might see films open big enough to knock the period drama out of the top spot, its percentage downsizing doesn’t seem likely to grow, and The Help will end up being quite the success story come year end. And that’s even before the expected Oscar nominations for it are announced. Colombiana and Don’t Be Afraid of the Dark’s numbers were somewhat flip-flopped from what I anticipated. Colombiana was the only other film besides The Help to pull in double digits this weekend, but just barely. It didn’t perform too terribly worse than Olivier Megaton’s previous film’s opening weekend. Transporter 3 debuted with $12m, and ended up topping $100m worldwide. With Luc Besson’s name attached to Colombiana as well, you can expect foreign numbers to be much more favorable than domestic.

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This week, Fat Guy Kevin Carr moved into an old, creepy house with the wife of an uber-famous movie star. But then she started hearing voices in the walls, so he bailed on that noise and found a new main squeeze. She turned out to be a full-blown psychotic assassin bent on revenge and blood. The plus side is that she was the spitting image of Zoe Saldana, so Kevin thought it might be worth the risk. This, of course, did not end well, but he considered himself lucky because he didn’t have to sit through Our Idiot Brother. Oh, and apparently Transformers: The Dark of the Moon is returning to IMAX screens… but does anyone care about that at all?

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In the genre of revenge thrillers, neither the French nor the South Americans are slouches. For decades, both cultures have produced countless bloody bonanzas that have been tinted yellow, untethered by conventional decency and piled upon with empty bullet casings. So what happens when two Frenchmen — uber producer Luc Besson and appropriately named action director Olivier Megaton — make a film about a South American killer hell bent on revenge starring Zoe Saldana, one of the most effortlessly sexy people on the planet? Somehow it all goes terrible wrong. It has the tint, the bullet casings and the motive, but Colombiana doesn’t feel so free — it conforms to a PG-13 world, which sort of takes the fun out of the whole experience.

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What is Movie News After Dark? It is (d) all of the above. “La Luna is the timeless fable of a young boy who is coming of age in the most peculiar of circumstances.” That’s the opening of the synopsis to Pixar’s La Luna, the short that will play the Annecy International Animation Festival next month in France. It’s our adorable headlining image. (Courtesy of Walt Disney Pictures)

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Consider this the news of the day. It is an equation that would put together producer Luc Besson, insane director Olivier Megaton (Transporter 3) and the world’s foremost badass lady, Zoe Saldana, together in a project full of bullets.

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published: 11.26.2014
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published: 11.21.2014
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published: 11.21.2014
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published: 11.19.2014
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