Colin Farrell

Colin Farrell in Miami Vice

Would the word “Carcosa” sound cooler when spoken in an Irish brogue? I guess it doesn’t really matter. Because while Colin Farrell might be in talks for True Detective, the second season has been confirmed for a California setting. So unless creator Nic Pizzolatto was writing the series with an Irishman in mind, chances are Farrell will have to put on his best American accent for this one. Also, that whole Carcosa thing is over and done with, so there’s really no earthly reason for Farrell to be putting those syllables in that order. But yes, the announement is official. Colin Farrell. True Detective. In talks. In a story broken by Deadline, we have the first big piece of news for the HBO series’ second season (Sorry William Friedkin, but unless you’re willing to make your directing gig on the season official, Farrell wins the “first big news” statuette). And like anything and everything relating to True Detective, this news is shrouded in a veil of secrecy so thick you’d need a machete to hack through it.

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review winters tale

What to make of a time-spanning romance featuring Lucifer in a Jimi Hendrix t-shirt, a flying horse named Deus Ex Machina, and a woman killed by a too-warm penis? What indeed. Winter’s Tale opens in present day New York City and stays there for a full three minutes before jumping back to 1895 and a ship filled with hopeful immigrants. One couple is turned away, but desperate for their infant son’s future they lower him into the water and toss his fate to the waves. Quick cut to 21 years later, and Peter Lake (Colin Farrell) is a petty thief on the run. Yes. Colin Farrell plays a 21 year-old. He’s on the run from Pearly Soames (Russell Crowe), a demonic mob boss intent on killing Peter for some unknown slight, but before heading out of town Peter makes time for one last score at the home of newspaper editor Isaac Penn (William Hurt). What he doesn’t know is that Penn’s deathly ill but still gorgeous daughter, Beverly (Jessica Brown Findlay), is tickling the ivories inside, and one admittedly well-written meet-cute later the beginning of a great love has stirred in their loins and in the air between them. Poor pronoun reference there, but it’s not inaccurate.

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dogtooth

Yorgos Lanthimos is one of those filmmakers whose reputation proceeds any new movie he makes, but when you first gain worldwide attention by making something as shocking as 2009’s Dogtooth, that’s bound to be the case. It’s not just the content of Dogtooth that made it so memorable to those who watched it though, it was the way in which Lanthimos was able to introduce his viewers to a world that was intensely jarring and disorienting, all while keeping his eye on the human heart of his story and giving the audience just enough of an emotional anchor to hold on to so that the film didn’t degenerate into substanceless shock or absurdity. The same was also true, though probably to a lesser extent, with his 2011 film Alps. Now that he’s getting ready to make his first English-language film with his first cast of familiar Hollywood actors, however, it’s going to be interesting to see what, if anything, changes about his approach to storytelling. He once again wrote the script for his new film, The Lobster, with his regular collaborator, Efthymis Filippou, so one might think that there wouldn’t be too much of a stylistic shift between it and his past work, but, on the other hand, now that there’s a report that Lanthimos’ new film will be starring names as mainstream as Colin Farrell and Rachel Weisz, is it possible that he could be utilizing their talents to make something as weird and niche as his last few […]

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SAVING MR. BANKS

There’s plenty of heartwarming to be had with John Lee Hancock‘s Saving Mr. Banks. Tom Hanks‘s smile alone tugs at the heart strings, but underneath the picture’s cuddly side there’s a darkness to be found in the flashbacks to P.L. Travers’ (Emma Thomspon) childhood. Playing her father, Travers Goff, is Colin Farrell. Goff is an alcoholic who often hides his pain through storytelling. The parallel for Travers is obvious, but it’s also true in the case of Walt Disney, at least when it comes to the film’s take on Disney. The young Travers informs the older Travers, and the same goes for Goff. It’s a performance we haven’t seen from Farrell before, but ever since Tigerland — Joel Schumacher’s best movie — you could say that for most of his roles. He’s not an actor who repeats himself often or falls back on certain crutches, and that’s likely because, as he tells us, he tries to find roles that push him as an actor. Saving Mr. Banks certainly does just that. Here’s what Colin Farrell had to say about his wonderful time on the film, wanting his experience dictated to him, and, of course, Miami Vice:

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banks

Director John Lee Hancock won the hearts of much of North America with 2009’s The Blind Side. Whether the movie was enjoyable or not, there’s no denying the impact it had that year. Come December there’s a chance Hancock’s newest film, Saving Mr. Banks, will strike the same chord with audiences. It’s certainly deserving of that same success. Author P.L. Travers (Emma Thompson), the woman behind Mary Poppins, has been turning down Walt Disney’s (Tom Hanks) advances for over twenty years. It’s the book rights he’s interested in, but she’s afraid he’ll turn it into another one of his goofy animated movies instead of appreciating the personal story Travers wrote it as. After discovering that she’s running out of money, Travers begins to change her tune. From that point on, we see plenty of back and forth between her and Walt, screenwriter Don DaGradi (Bradley Whitford), and the two men behind the picture’s music, Richard Sherman (Jason Schwartzman) and Robert Sherman (B.J. Novak). The scenes with Travers, the Sherman brothers, and DaGradi sum up the movie. During their creative meetings with Travers, they have to win her over with costume designs, songs, and every nut and bolt of the script. All of their scenes are in a small contained room, and each one of them is a delight. They’re funny and sharp. There’s nothing grand about these moments but they’re naturally charismatic, thanks to the actors’ collective charm.

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Paula Patton 2 Guns

According to Deadline Hollywood, Legendary has offered lead roles for the Duncan Jones-directed World of Warcraft to Paula Patton and Colin Farrell, although there’s still (by their calculations) an even chance that Farrell won’t accept. Who will they play? Hunters? Mages? Night Elves? It’s unclear — as is what the movie dipping its toes into the expansive universe will cover. The only sure thing is that it has to be more than humans and orcs to avoid feeling like a Lord of the Rings clone. After 5 years of stop-and-go development, this is the surest sign yet that their announcement to start production in January isn’t just a pipe dream. Patton and Farrell are both interesting choices, but regardless of who they cast, this is still an In-Duncan-Jones-We-Trust situation. The studio may want names and faces to put on the poster, but this will always be the filmmaker behind Moon becoming the mayor of an insanely popular fantasy landscape. Look for an avalanche of developments in the coming months.

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Dead Man Down

Last week saw the English debut from Korean director Park Chan-Wook, and now with Dead Man Down we’re seeing another American feature from an acclaimed foreign director, Niels Arden Oplev (The Girl with the Dragon Tattoo). Park evaporated any fear of him losing his personality in America thanks to the visually spectacular Stoker. His fingerprints are all over that film, and it’s a shame the same cannot be said for Oplev. While a high-minded Oplev appears every now and then in Dead Man Down, he is overshadowed by the tropes we expect from a WWE movie. When their logo came on screen, audience members laughed, and for good reason. Given what WWE is famous for, one would expect a great deal of machismo from Dead Man Down. The film’s more action-heavy moments are unsurprisingly its greatest strength, but that WWE sensibility seriously clashes with the drama Oplev and his cast are aiming for. The two tones never mesh coherently, leading to an uneven revenge movie.

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IMG_0017.CR2

There was a major opportunity for Terrence Howard to blow up some scenery and do some violent mustache twirling in Dead Man Down. Mind you, Howard does shout, “I got something for your ass!” when a mansion becomes an overpriced shooting gallery in the film, but that’s as far as the actor goes when it comes to getting his hands silly. It makes sense, considering playing pure evil doesn’t seem like a role Howard would ever want to try out. Speaking with the Academy Award nominated actor, he sees his characters, even a villain like Alphonse, through a philosophical light, noting that “the past, the present, and the future” are happening right now, as he discussed using pieces of himself for a character. Despite the fact Howard was minutes away from boarding a flight, he was kind enough to make time discussing his relationship with his characters, how he proved Juilliard wrong, and more about his newest movie:

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Johnny Depp

What is Casting Couch? It’s a thing on the Internet that’s primarily concerned with which actors are going to be in what movies. Today it includes news regarding attractive folk like Colin Farrell and Lily Collins. For the last decade or so, Johnny Depp has largely been occupied with wearing makeup and putting on silly wigs, but once upon a time he used to play actual human beings in movies like Donnie Brasco and whatnot, and while it didn’t afford him the opportunity to use nearly as many crazy voices, things weren’t so bad. Things were so decent, in fact, that Cross Creek Pictures has announced [via ComingSoon] that they’ve cast Depp in another gangster story that’s based on real life events, just for old times’ sake. Depp will be playing infamous Boston gangster Whitey Bulger in director Barry Levinson’s (Toys, Jimmy Hollywood) new film Black Mass. Bulger, for the uninitiated, was a gangster who informed for and was later double-crossed by the FBI. Those cads.

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Dead Man Down

Niels Arden Oplev and Noomi Rapace made a deadly combination in the Girl with the Dragon Tattoo. The director coldly orchestrated some horrifically emotional scenes, and Rapace became a mohawked icon of devastation and ennui. They’re back together with Dead Man Down, they want revenge, and we’ll get to see what they’ve wrought in March. Colin Farrell plays the right hand man of a crime boss (Terrence Howard) who is seduced by the wife of one his victims (Rapace). If this soaring trailer is any indication, things are going to get ugly.

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What is Casting Couch? It’s where Hollywood moms come every day to find out if their actor kids have gotten a job. Remember that movie about the day JFK got shot that Tom Hanks was putting together because these days he’s such a history loving, lame dad? It’s called Parkland, and it just put together an awesome cast. According to Collider, director Vincent Bugliosi has signed the terrific trio of Paul Giamatti, Jackie Weaver, and Billy Boy Thornton to headline the cast. There’s no word on what characters they’ll be playing, but my guess is Giamatti will be JFK, Thornton will be Jackie O, and Weaver will be Lee Harvey Oswald. Makes sense, no?

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Seven Psychopaths

Marty (Colin Farrell) is a screenwriter with a serious case of writer’s block. “Seven Psychopaths” is his latest script, but there’s one big problem with it. The title is all he’s written so far. He needs some inspiration to make his characters and his story come alive, but where is an Irishman with a drinking problem and relationship issues going to find that spark of originality? As with most of life’s questions, the answer here is Sam Rockwell. More precisely, it’s with his good friend Billy (Rockwell). Where Billy goes trouble follows, and that trouble is currently in the form of a pissed-off gangster named Charlie (Woody Harrelson) who’s violently distraught over the loss of his pooch Bonny (Bonny the ShihTzu). It seems Billy’s primary source of income is a scam he runs with his friend Hans (Christopher Walken) involving the dog-napping and subsequent return for reward of wealthy peoples’ pups. Snatching Bonny has opened up a can of murderous worms as Charlie hunts down those responsible and Marty finds himself caught in the blood-spattered middle of it all. On the bright side he’s getting inspiration for all seven of his fictional psychopaths, but none of that will matter if he doesn’t live to finish the screenplay. Seven Psychopaths is exactly the film we should expect from the man who created the wickedly great In Bruges. It’s whip-smart funny, deliriously violent and deceptively heartfelt. And good god does it have the most aggressively awesome ensemble cast of all time.

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Seven Psychopaths

A film begins with its script. So when a screenwriter is poised with creating a script for a film entitled Seven Psychopaths and is unable to get past page one (for various reasons), it’s obvious we have a conundrum on our hands. Marty (Colin Farrell) has found himself, drunk more times than not, staring at a blank notepad still trying to figure out who the seven psychopaths are. As the story goes on, he encounters a series of psychopaths all surrounding a dog kidnapping scheme that Hans (Christopher Walken) and Billy (Sam Rockwell) are running. Billy has picked up a Shih Tzu dog that happens to belong to Charlie (Woody Harrelson), who happens to be a raving psychopath who heads up some sort of mob or something. While this film sets itself up (marketing-wise) as a crazy comedy about this slew of characters, it really isn’t. It’s more about the process of writing, with a lot of blood and guts involved. The film enjoys the use of shocking comedic violence in a way that allows its characters to get a laugh through their situations and reactions more than just through their catchy one-liners. There are some jokes in this movie that are so deeply embedded in character reveals that it’s made for multiple viewings.

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Martin McDonagh‘s In Bruges remains one of the finest black comedies in recent years thanks to his sharp writing/directing and a couple of fantastic performances by Colin Farrell and Brendan Gleeson. Both actors displayed great comedic chops alongside a surprising pathos, and the result is a film that’s eminently quotable and highly re-watchable. And it was four years ago. McDonagh is finally following that film up, and the first trailer has arrived. Seven Psychopaths stars Colin Farrell as a struggling screenwriter whose friends get him mixed up in dog-napping, violence, and murder. Those mischievous friends are played by Sam Rockwell and Christopher Walken, and they’re joined by Woody Harrelson, Abbie Cornish, Olga Kurylenko, and Tom Waits. Check out the trailer below.

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Julianne Hough

According to Variety, Julianne Hough has just joined Time and a Half, a forthcoming flick scripted by Diablo Cody and directed by Ol Parker (Imagine Me & You). Hough is also playing the lead for Cody’s directorial debut about a plane crash that leads a young conservative woman to a crisis of faith. However, in the project she’s just joined, she’ll be playing a woman fresh out of college who runs into an old one night stand who is also her sister’s ex-boyfriend from high school. Theoretically that could also involve her being conservative and having a crisis of faith, so let’s not rule it out. It sounds like a fun project, although that will most likely depend on each fan’s appreciation or lack thereof when it comes to Cody’s style. Of course, this means another slab of meat on her plate – one that’s full with the aforementioned directorial work, the Evil Dead remake and probably a few more irons fresh in the fire.

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Director Len Wiseman made the 21st Century remake of Total Recall we kind of expected. It’s big, flashy, and in modern remake/reboot fashion it’s also gritty & grounded. Sure Wiseman nicely packed three-breasted women into his PG-13 picture, but this isn’t a movie fit for Kuato, small prostitutes firing off machine guns, and Arnold Schwarzenegger making funny faces. There’s little room for comedy in the futuristic world Wiseman has built. Compared to his previous films, it’s the biggest sort he’s created thus far. With a budget of $125 million — which, as Wiseman points out, has been falsely reported as being $200 million — the director has also made a blockbuster about as big as one can get. That scope isn’t what drew the Underworld filmmaker, but the identity crisis at the film’s core is. Wiseman set out to make a personal detective tale which happens to be set in a big, futuristic world. Here’s what Total Recall director Len Wiseman had to say about not going big for the sake of big, the influence of The Fugitive, and how certain Roland Emmerich classics served as his film school:

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Let’s get this out of the way – there’s quite a bit different about Len Wiseman‘s remake of Paul Verhoeven‘s Total Recall. Although the film hasn’t exactly been greeted with the most pleasant of critical responses thus far, one thing you can’t criticize the film for is being a carbon copy of the 1990 film. Obviously missing is the iconic Kuato and the setting of Mars, but also absent from the film is a widely reported appearance by Ethan Hawke. Although it sounds like Wiseman’s remake lost a sizable amount of material in the editing bay – considering there is a 17-minute-longer director’s cut in the works – Mars and Kuato never even made it past the script stage. While speaking with Wiseman yesterday, he told us why there is no Mars, no appearance or mention of Kuato, and why you won’t see Ethan Hawke’s brief role in the theatrical cut:

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As the cinematic summer season winds to a close, audiences everywhere will soon get to relive the joy of memory implantation, three-boobed ladies, and governmental double-cross. No, no, it’s not The Bourne Legacy (is anyone triple-stacked in that? Let’s hope so!), it’s Len Wiseman‘s take on Total Recall. This time around, no one goes to Mars and Ahnuld is nowhere to be found, instead Colin Farrell takes over as the mystified and misplaced everyman Douglas Quaid whose fun-time mind-trip ends up with some seriously unexpected consequences. Last weekend, Beverly Hills’ own Four Seasons Hotel played host to scads of press primed to interview the Total Recall crew about such things as what they’d want Rekall to implant in their minds, what it was like working with a married couple, and how the film’s lovely lady stars stay so young-looking. Of course, there were also interesting questions asked at the junket, and director Wiseman and his stars Farrell, Jessica Biel, Kate Beckinsale, and Bryan Cranston answered those, too. And also Cranston talked about Breaking Bad for twenty minutes and we all took it in, starry-eyed. After the break, check out 21 we learned at the Total Recall junket, from how Cranston thinks BB will end, what element of the film stands out as the major difference between it and the original (hint: it’s not that the film doesn’t go to Mars), what Biel knows about the status of David O. Russell’s Nailed, and the special cameo that Wiseman built into the film […]

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Total Recall

Here we are, the downturn of one of the most hyped cinematic summers in recent memory. Now, we’ll be getting all the films the studios weren’t quite sure would make it during the May-July run. We’ll be seeing a lot of these titles over the next two weeks…two weeks…two weeks. To kick off the Gilligan’s-Island-worthy “and the rest” season is Len Wiseman‘s remake of Paul Verhoeven‘s Total Recall. Based on the book, “The Future Hates You And Will Kill Your Face” by Philip K. FunnyLastName. No, it was actually (of course) Philip K. Dick‘s ‘We Can Remember It For You Wholesale.” The basic premise is largely the same as it was in the before time, the Schwarzenegger longlong ago. A man trudging through a humdrum existence (Colin Farrell‘s Quaid), realizes he lives in futurey times and can have memories of a more exciting existences slam-packed into his brain via a company called Rekall. Trouble is that in so slam-packing, the company accidentally pops the top on a whole pickle jar of new skill sets and suggests that the life he currently knows may be a lie. The big difference of course between the original Total Recall movie and the remake is a profound reduction in the set pieces that take place on the planet Mars. That is to say, no part of the remake takes place on the planet Mars. This is where geeks like me would usually throw a conniption, or at the very least a strongly-worded hissy fit. […]

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Drinking Games

This week, Colin Farrell tries to fill Arnold Schwarzenegger’s sizeable shoes in the remake of Total Recall. If you’re not a fan of Farrell or director Len Wiseman, or if you’re just angry about a PG-13 remake of an R-rated film, why not check out Paul Verhoeven’s original? Lionsgate releases the new Blu-ray in the “Mind Bending Edition” this week, which basically means a new edition to sell the week of the remake’s release. But that shouldn’t stop you from visiting a bar in Venusville where you can drink yourself silly while watching this slice of R-rated 90s silliness.

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