Eddie Redmayne

What is Casting Couch? It’s the casting roundup that’s got news about what weird, clown-related thing Peter Stormare is going to do next. Read on for the juicy details. If your name is Dan Aykroyd or Ivan Reitman, then Bill Murray has been spending the last ten years or so trying to convince you that he doesn’t read scripts. That’s got to sting, because Deadline has a new report that proves this to be balderdash. Murray read Ted Melfi’s script for St. Vincent De Van Nuys and identified with the writer’s work so much that he called him up and invited him out for a drive. One negotiating process later and Murray is reportedly ready to sign on to star in the film, which is about a cantankerous old coot who bonds with a twelve-year-old boy over rounds of drinking, gambling, and generally despicable behavior. Sounds like it’s going to be a hoot.



When Grindhouse hit theaters back in 2007, its main attractions were Robert Rodriguez and Quentin Tarantino’s feature length segments of the anthology, Planet Terror and Death Proof. But after the release came and went, a lot of the buzz surrounding the project wasn’t about the two films that played back-to-back, but the series of trailers for fake films that got sandwiched in between. Rodriguez has already launched his fake trailer, Machete, into a real-life feature film that was successful enough to spawn a sequel – but what about Eli Roth and his segment, Thanksgiving? After Grindhouse got released, much of the praise for the tribute to B-movies came from how authentic to shoddy old ’70s advertisements Roth’s holiday-themed horror trailer was. The stupid voice narrating, the terrible acting, the bad dialogue, the person roasted like a turkey…it had it all. Roth has intimated in the past that he has plans to turn Thanksgiving into a real-life feature, but that’s been going on for years now, and we’ve still got nada. So what’s the deal? Well, according to a new interview the director did with Behind the Thrills, he’s finally cracked the story, is preparing a screenplay, and presumably will keep things moving from there.


Austin Cinematic Limits

Austin has a drive-in movie theater? Really? No way! Actually it makes total sense, since Austin is a city that really loves movies and really loves cars [and pickup trucks and SUVs]. Besides, it seems to never rain here, so the weather is perfect for outdoor movie screenings. Way back in 2010, native Austinite Josh Frank (author of “In Heaven Everything is Fine: The Unsolved Life of Peter Ivers and the Lost History of New Wave Theatre” and “Fool the World: The Oral History of a Band Called Pixies”) took a cue from San Francisco’s mobile drive-in — he constructed a modestly sized outdoor screen, acquired some car-speaker posts from defunct drive-ins via eBay, and restored a vintage runabout to use as a concession stand. Frank’s Mini Urban Drive-in, The Blue Starlite, has existed in varying capacities and locations for the last two years. When he found out a few months ago that his lease at 1001 E 6th Street would not be renewed, the future of The Blue Starlite seemed uncertain. One of Austin’s best kept cinematic secrets was in jeopardy of disappearing forever. Along came a surprising announcement from the Austin Film Society — The Blue Starlite found a summer home at Austin Studios (1901 E 51st Street). They even built their first real drive-in movie screen to complement the new location.



You know what this Klown Red Band Trailer is all about? Hospitality. It’s about repaying a woman who is nice enough to invite you into her home, let you crash there and make you pancakes. It’s sweet really. Even if it gets a little smelly. The film played at Fantastic Fest, where Adam Charles laughed his ass off to its absurd male bonding, and Drafthouse Films picked it up for distribution. The movie, based on a television show, focuses on two men who are on a wild Tour de Pussy. Trying to boldly prove that he’s fatherly material to his girlfriend, one of the men kidnaps her 12-year-old son and brings him along. Check out more good parenting with the trailer:



Danny McBride’s particular brand of humor seems to be one of those “love it or hate it” forms of entertainment. Some people watch what he does on Eastbound and Down and laugh hysterically, others just shake their head at it with a look of disapproval on their faces. So when Deadline Dragør breaks the news that he’s going to be starring in a new film that has the tagline, “two men and a 13-year old boy embark on an R-rated vacation,” you can probably guess how you’re going to react to it already. Those of you who will be disgusted should probably just move on to the next article, but for those of you who feel like such a film would tickle your funny bone, read on. Klovn is a Danish TV show turned feature that follows the misadventures of two characters named Casper and Frank. In the original film version they’re all set to go on a canoeing trip that they’re calling the “tour de pussy” when the bad news hits that Frank’s girlfriend is pregnant. Fearing that Frank is a total nincompoop who can’t take care of a kid, she wants to terminate the pregnancy. This doesn’t jibe with Frank’s sensibilities, however, so they strike a deal that if he can take her 11-year-old son along on the canoeing trip and not have any mishaps, then they can keep the new baby. This, of course, is a flawed plan, because the canoeing trip is planned not to be […]



When Luke Mullen said that Bullhead was “damn near a masterpiece,” he wasn’t exaggerating. It’s a stirring, heart-vicing film that explores the rotten depths of manhood in the no-frills world of the Belgium mafia that controls illegal bovine growth hormones. His full review is absolutely worth the read, but the short of it is that the movie is pure, grisly and fantastic. In fact, it’s already been chosen as Belgium’s entry for Best Foreign Film at the Oscars, which is even more stunning because it’s the first film from Michael Roskam, and the country’s favorite go-to Awards contenders (the Dardenne Brothers) have a new film out this year (that won’t be going to the big dance). A newcomer has overthrown titans, and according to Badass Digest, Drafthouse Films has picked up the film for distribution. On top of that, they picked up fellow Fantastic Fest film Clown – the sex comedy from Denmark that sees men taking a young child on their “Tour de Pussy.” Adam Charles said that it displayed the awfulness of (some) male specimens with “one of the most pointed, extreme, and filthy senses of humor imaginable.” From Oscar nominees to raunchy foreign sex comedies, Drafthouse has picked up some great movies here, and hopefully they’ll be in theaters near you fairly soon. And no one will be texting or talking when you go.



If women ever wanted to see a film of why men are terrible and feel terrible afterwards then Neil LaBute’s In the Company of Men would probably be your best bet. If women ever wanted to see a film about why men are terrible and laugh uncontrollably at our inadequacies, perversions, insensitivities, hormonal indulgences, and even occasional homosexual confusions (am I right men? Huh?….right?…) then Clown is it. It objectifies just about every single reason why a woman would doubt going into a relationship with a man and yet does it with some of the most pointed, extreme, and filthy sense of humor imaginable.

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published: 01.31.2015
published: 01.30.2015
published: 01.30.2015
published: 01.29.2015

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