climax

Culture Warrior

“If Michael Bay directed Raiders, the Ark would be opened in the first act, and people’s heads would explode through the rest of the film.” I don’t typically seek out wisdom from Twitter, but this below-140-character observation (made by @krishnasjenoi and retweeted by @ebertchicago) struck very close to something that’s been occupying my mind as we enter the fifth week of the summer movie season. Though the statement works better as a fun hypothetical critique than a contestable thesis (in other words, there’s no way we’ll ever really know, thank goodness), the sentiment feels relevant. Though the modern Hollywood blockbuster has been a staple of studios’ summer scheduling for almost forty years, the films that become blockbusters don’t look or feel very similar to the films of the 70s and 80s that somehow paradoxically led to today’s cavalcade of sequels, franchises, adaptations and remakes. Criticizing Hollywood’s creative crisis is nothing new. But with the mega-success of The Avengers and the continuing narrative of failure and disappointment that has thus far characterizes every major release since, it seems that this crisis has been put under a microscope. The moment where unprecedented success is the only kind of achievement Hollywood can afford and the well of decade-old franchises and toy companies become desperately mined for material is something we were warned about. But Hollywood’s creativity-crippling reliance on existing properties is not the only, or even the primary, problem faced by mass market filmmaking’s present moment. The bloated numbers sought after each and […]

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