Cinema

Twixt Movie

Francis Ford Coppola is humbly preaching to a crowd of thousands, sharing the gospel of innovation and promising a new era in filmmaking. In his own soft-spoken way, he builds tension for the potential of his new project before pressing The Button. Nothing happens. In pin drop silence, film composer Dan Deacon shouts out, “The future of cinema is here!”, eliciting raucous laughter from a crowd in need of the release. Coppola charmingly plays it off, and the rest of the presentation goes relatively according to a plan that accounts for improvisational errors that can be charmingly played off. It’s 2011, Coppola is sharing his edited-on-the-fly, live cinema concept film Twixt with the world, and if the conversation I had afterward was any indication, the response was mixed. Typical for an experiment, I thought it was an exciting twist of convention from an eternally independent-minded director while my friend thought it was liking watching your war hero grandfather succumb to senility. That was then, and now Coppola is proclaiming that the future which Dan Deacon sarcastically prophesied is still the future of movies we can expect. Or at least one future.

read more...

Boiling Point

It seems that we are living in a golden age of television. With shows ranging from Mad Men to Game of Thrones or Modern Family to Dexter, Breaking Bad, or anything else garnering epic amounts of hype, one might view Battleship or its ilk and come to the conclusion that TV is better than the movies. James Wolcott at Vanity Fair came to that conclusion, as did the folks at IndieWire (although Cole took a somewhat different stance). Of course everyone is entitled to their opinion, no matter how wrong it is. While there is certainly a lot of great television out there, the theater experience still trumps all. Television will never usurp the cinema just as crude sex robots will never usurp hookers. When someone wants to describe a really great looking television show, they say it “feels like a movie.” No one ever describes great films as “being like television.” Television aspires to be film and in some instances, comes close. Film, safely perched on its tower, has no desire to be more like TV.

read more...
Some movie websites serve the consumer. Some serve the industry. At Film School Rejects, we serve at the pleasure of the connoisseur. We provide the best reviews, interviews and features to millions of dedicated movie fans who know what they love and love what they know. Because we, like you, simply love the art of the moving picture.
Comic-Con 2014
Summer Box Office Prediction Challenge
Got a Tip? Send it here:
editors@filmschoolrejects.com
Publisher:
Neil Miller
Managing Editor:
Scott Beggs
Associate Editors:
Rob Hunter
Kate Erbland
Christopher Campbell
All Rights Reserved © 2006-2014 Reject Media, LLC | Privacy Policy | Design & Development by Face3