Christopher McDonald

Requiem for a Dream

Before he taught Mickey Rourke how to wrestle or Natalie Portman how to Adagio, Darren Aronofsky was showing Jared Leto how to shoot up. Requiem For a Dream was the director’s second feature film – Pi came out in 1998 – and his position as an auteur began to grow from there. Some consider Requiem Aronofsky’s best film. Regardless if you find it engaging or grotesque, there’s no denying the man’s direction on the film is something to be appreciated. Even studied. So let’s take a few minutes and hear what Aronofsky had to say about Requiem For a Dream. There’s bound to be wonderful anecdotes about the director skipping with Marlon Wayans down the Coney Island boardwalk or buying ice cream in the Central Park with Jennifer Connelly. Surely this commentary can’t include anything too serious. The movie has a giant refrigerator that dances and sings. It may be gnashing and screaming, but it’s all how you look at it, right? Anyway, let’s get into it. The uppers are about to kick in, anyway.



The title is silly, the tagline of “CATch Her If You Can” is borderline moronic, but everything about this trailer for Cat Run is action comedy gold. All the cliches are there (a high class prostitute on the run, some videotapes that can’t get leaked out, a government cover up, an assassin chasing her down…), but it still manages to feel fun and fresh. Paz Vega seems to be choosing some completely different roles from her Spanglish turn, and you can’t go wrong with Christopher McDonald (the guy you’ll be waiting for in the parking lot in Happy Gilmore) playing a pompous asshole, but there are really no big names here, and that could be a good thing. Then there’s triple amputee D.L. Hughley, a poor man’s Helen Mirren, and a baby to carry around for some reason. Seriously. Where did this thing come from. Crazy/Beautiful director John Stockwell seems to have created an action comedy that recalls the 90s while tossing in a generic version of the detectives from Psych right down to the racial quota. Check it out for yourself:



Do you like genuinely funny movies that tell character stories in earnest as fuse humor and heart? Films that are not one-note, one-joke or one-testicled? Films that compliment rock solid acting with quality writing and a filmmaker intent on telling you a multi-dimensional story, even if that story is about a less than likable guy who gets his balls whacked off by an angry father with a trumpet? Good, because so do I. Enter Barry Munday, the directorial debut of Chris D’Arienzo, a director you should keep an eye on. Especially if you like the aforementioned quality films, namely those that will give you laughter. As I mentioned in my review from SXSW, this one’s well stocked with two wonderfully charismatic leads — Patrick Wilson and Judy Greer — and plenty of meticulously placed supporting players — the likes of Malcolm McDowell, Chloe Sevigny, Christopher McDonald, Billy Dee Williams and Kyle Gass, as seen delivering an uncomfortable moment in the trailer. It’s one of the few movies I’ve seen this year that I’d insist you see. At the very least, do me a favor and watch the trailer after the jump.



There is a reason that we cover so many film festivals during the year. We want to be there where it all begins, where the careers of tomorrow’s great filmmakers and actors begin. And this year at SXSW, we are seeing some really great beginnings for some very talented artists.


Let’s see how many more genres we can spoof this year…

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published: 01.27.2015
published: 01.27.2015
published: 01.27.2015
published: 01.27.2015

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