Christopher Abbot


Editor’s note: With Girls premiering on HBO this weekend, we thought one of Kate’s favorites from SXSW was in need of a re-run. This review was originally posted on March 13, as part of our SXSW Film Festival coverage. Multi-hyphenate Lena Dunham has previously hit SXSW with two unique efforts – in 2009, with the debut of her ambitious, lo-fi Creative Nonfiction, and follow-up in 2010 with the controversial Tiny Furniture, which earned the Narrative Feature award in that year’s section. Dunham’s work has proven polarizing – some people admire her self-effacing and very personal brand of filmmaking, while others balk at her navel-gazing style. Returning to SXSW this year, Dunham again brought along a personal project about self-effacing, navel-gazing, shaky-legged twenty-something girls in the big city, but this time Dunham is serving as star/writer/director/producer on a television series, HBO’s Girls, produced with Judd Apatow. And while her previous works might not have the sort of widespread appeal that a television series would require, Dunham’s Girls is wickedly hilarious, quite accessible, and it proves that Dunham’s in-character pronouncement that she could be the voice of her generation is not far off – at all.

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published: 01.30.2015
published: 01.30.2015
published: 01.29.2015
published: 01.28.2015

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