Christina Applegate

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Ron Burgundy has clearly blown into his mighty conch and summoned his trusty news team to assemble in the 1980’s, if these stills from Anchorman: The Legend Continues are to be believed. Will Ferrell is back as Burgundy, and it’s unclear whether he and Veronica Corningstone (Christina Applegate) will ever be married on top of that mountain with garlands of fresh herbs, but they certainly look happy traipsing down the streets of New York City together. When you survive a bear attack together, you can survive anything as a couple. The whole team, including Brick (Steve Carell), Brian (Paul Rudd), and Champ (David Koechner) have left their local station in San Diego for a revolutionary 24-hour news channel in the Big Apple called…GNN. This is the 80’s, so the overwhelming wall of news coverage that we’re used to isn’t a thing yet. And these are the brave men (and woman) who are being trusted to bring it to the world. From the second image, it’s clear that Burgundy is still their faithful leader. Also, take a moment to just soak in their early 80’s fashion. Good to know that Champ’s cowboy hat survived the 70’s. Take a look at the second still after the break.

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One of the funniest films of the new century is Adam McKay’s Anchorman: The Legend of Ron Burgundy. While it didn’t necessarily launch Will Ferrell’s lucrative film career, it definitely put him on the map as a comedy A-lister. However, it did help Steve Carell go from a somewhat obscure TV and movie bit player to a funny man in movies. While Anchorman was still in release, Ferrell and McKay sat down to record an unconventional commentary, which includes mostly random (and often facetious) discussions with no relevance to the film. There are also surprise guests who drop by, including call-ins from Paul Rudd and Christina Applegate, as well as an in-person visit from David Koechner. In line with the film’s absurdity, some people who have nothing to do with the film whatsoever (including Andy Richter, Tenacious D’s Kyle Gass, and even legendary musician Lou Rawls) join in. This commentary is not to be taken seriously, and quite possibly the same can be said for this article. Still, who knows? There might be some nuggets of truth in here as well.

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kristen-wiig

What is Casting Couch? It’s basically a casting news bonanza. Learn who the big names Melissa McCarthy has recruited for her movie Tammy are, as well as what Kiefer Sutherland is getting himself into, after the jump. Though we’ve yet to see for ourselves what the results of teaming Kristen Wiig up with the Anchorman crew in Anchorman 2 are going to be, the film’s director and star, Adam McKay and Will Ferrell, must be happy with what they’ve seen so far, because THR is reporting that they’re now in talks to make her the star of an indie comedy they’re producing called Welcome to Me. McKay’s wife, Shira Piven, will be directing the film, which is said to be about a woman with dissociative personality disorder who stumbles into a fortune and uses her newfound cash to create a cable access show where she talks about her life. Sounds like it’s going to be like that live tour thing that Charlie Sheen did, only not scary because it isn’t real.

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Channel Guide - Large

With most of the sitcoms that debuted in the fall (and managed to escape cancellation) winding down this week, I think it’s time to crown a winner. Which one of these brand new sitcoms most deserves to stick around?  Which was the most memorable? Which came out on top? Zooey Deschanel’s New Girl has already been renewed, Whitney was a thing that happened, but the show that worked the best for me was NBC’s Up All Night. Executive produced by Lorne Michaels and created by former Saturday Night Live writer Emily Spivey, Up All Night is a funny and relatable look at the life of a married couple, played by Christina Applegate and Will Arnett, trying to adapt to life with a new baby. Arnett is Chris, a former lawyer who has decided to stay home with their daughter while Appelgate’s Regan returns to work where she struggles to balance motherhood with the demands of her larger than life boss Ava—an Oprah-like talk show host played by Maya Rudolph. The show was this season’s best new sitcom and here are four reasons why.

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When it was finally announced that Will Ferrell, Adam McKay, and company would be coming back and making a sequel to their 2004 modern classic Anchorman, the world rejoiced. But, with as many people as there are who love this movie, and with the way it’s continued to remain a relevant part of popular culture, why did it take so long to make a sequel? McKay spills some details on the long road to this highly anticipated sequel in a recent interview with THR. Apparently the delay between Anchorman movies came down to two things: first there was a lack of interest in sequels from the creative end of things, and then there were budget concerns from the accountants. Or, as McKay puts it, “the movie came out and did really good but then got even bigger on DVD and cable. So then, when he (Adam Goodman) was at Paramount, he said to me, ‘Would you ever do a sequel?’ And at first we were like, ‘No, we don’t want to do sequels, we have too many ideas. Why do sequels?’ And then finally, we kept hearing the question so much from fans, and we’re like, ‘Shit, man, there’s almost something original about doing a sequel,’ like, can-we-do-a-sequel suddenly became an interesting challenge to us. We got our heads around on it and said, ‘All right, we’ll do it,’ and Goodman was really excited. But then it went in the numbers machine over there.”

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Drinking Games

Last week, the interwebs exploded with the awesome announcement that Will Ferrell, Adam McKay, Steve Carell and Paramount Pictures have come to an agreement on moving forward with a sequel to the 2004 comedy Anchorman: The Legend of Ron Burgundy. Sweet Lincoln’s mullet, this is exciting! Even though the movie’s release is at least a year away, you can still pop in your DVD, Blu-ray or HD-DVD (yeah, those are still out there) of Anchorman to refresh yourself in preparation of the sequel. Enjoy some scotchy, scotch, scotch, down into your belly. Or drink from a half-gallon carton of milk on a hot day. Either way, slap on your Sex Panther cologne and take a trip back to the glorious 70s. And don’t forget to stay classy, rejects!

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There is absolutely no satisfying way to explain and introduce Alvin and the Chipmunks: Chipwrecked in a classic film review format, because of one major hurdle – it’s a film about singing chipmunks that get shipwrecked (sigh, chipwrecked) on a seemingly unpopulated island. It’s hard to believe this is a real film (it’s nearly impossible to also believe that it’s the third film in a franchise), and it’s even harder to attempt to talk about it in a critical and professional manner. But let’s try. Alvin and the Chipmunks: Chipwrecked opens with human moron Dave Seville (Jason Lee) and his six-pack of fuzzy (children? paychecks? vermin?) heading off on what is meant to be restful holiday cruise. Dave is understandably exhausted after spending years of his life raising six chipmunks – Alvin, Simon, Theodore, Brittany, Jeanette, and the other one – who are also international signing superstars. The seven of them plan to use the cruise to relax before hitting the International Music Awards (sort of like the MTV Video Music Awards, but somehow even less important), where the boys (Alvin and the Chipmunks, so much for Simon and Theodore’s name recognition) and the girls (The Chipettes, much more equal opportunity) will likely rack up a bevy of awards. Of course, the Chipmunks and the Chipettes ultimately get marooned on a tropical island, thanks to (shockingly!) a move by ol’ troublemaker Alvin, a plan so stupid that even these damn singing chipmunks should have realized the depth of their idiocy […]

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This week, Fat Guy Kevin Carr snubs his nose at all the films up for the Oscar in order to enjoy the R-rated smorgasbord that is available in the theaters. He kisses his wife and takes six days off from marriage, just like Owen Wilson and Jason Sudeikis in Hall Pass. He takes those six days to find a fast car so he can Drive Angry, following Amber Heard and her short shorts in 3D. Apparently no one told him she’s a lesbian now.

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The Farrelly Brothers return to R-rated adult comedy in a sometimes naughty but mainly soft-hearted touch about marriage, suburban hell, and fidelity in Hall Pass. Owen Wilson and Jason Sudeikis exemplify their body of comedic work here as the slacker Rich and hyperactive Fred, two good-natured 40-plus year-old men living the middle class life in New England. They have the cars, the houses, the children, and wives of the American dream but feel the need to break out of this mundane existence. Luckily for them, their wives (played by Jenna Fischer and Christiana Applegate) allow them a week off of marriage in order to see what they do with a week of freedom.

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At the center of the Farrelly Brothers’ newest film, Hall Pass, is a fundamental question about relationships. At least, it’s the kind of fundamental question that might get someone slapped. Is Olive Garden or Applebee’s the best place to meet hot, horny women? Owen Wilson and Jason Sudeikis seek to answer that question when they’re wives give them a Hall Pass (or a Kitchen Pass if you’re nasty) – total freedom from marriage for a week. From the looks of the trailer, the women (played by Jenna Fischer and Christina Applegate) are doing it to prove a point about male delusion, and it’ll probably be completely harmless until someone gets hurt. There’s some clever moments amidst the generic (a pot brownie sequence? Really?), but the film at least hints at going off the rails a bit. No word yet on if anyone’s scrotum gets caught in a zipper.

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You’re lying in bed with the clock reading some un-Godly hour in red analog, and you reach out your hand to find only the cold space of the other side of your bed. You want to pull the one you love close to you, but you can’t, because they’re gone. They aren’t on vacation or out of town for work. They are – for the foreseeable future – living in a completely different city. Most people have found themselves in this position. Even though the concept of the long distance relationship was probably invented when the first tribe realized there was a second tribe (or at least when war starting sending soldiers away for long periods of time), the struggle to keep the fire burning with mileage looming in between is especially appropriate for an age where you can find love on the other end of an internet connection. It’s the challenge of cross-country romance that the main characters of Going the Distance find themselves facing.

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This week, Fat Guy Kevin Carr is all giddy because he’s been invited to a “Dinner for Winners” (though no one has the heart to tell him it’s really a Dinner for Schmucks). He also puts on his 3D glasses to take a gander at some furry spies in Cats and Dogs: The Revenge of Kitty Galore. Finally, he squeals with excitement about the new Zefron film, but then weeps uncontrollably because Universal didn’t screen it in advance for him.

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Don

Don’t Tell Mom the Babysitter is Dead may be one of the more memorable films of my early teens years, but that’s because I watched a selection of very average movies during that time in my life. I like to claim that I didn’t know any better. I should have, but I didn’t. The fact is that while fun, Don’t Tell Mom wasn’t exactly the pinnacle of early-90s cinema, if there is such a thing.

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Set your guns to adorable. Then shoot these little bastards.

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published: 12.17.2014
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published: 12.15.2014
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published: 12.12.2014
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published: 12.05.2014
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