Chris Butler

Paranorman Commentary Track

The commentary tracks on animated films are destined to be different beasts than their live-action cousins if only because there’s little opportunity for onscreen performers to contribute. Sure the voice actors can join in, but they’re a minor element of production most likely severely lacking in anecdotes. So that leaves listeners with filmmakers unused to performing directly to an audience. But that doesn’t mean they’re not entertaining. ParaNorman is the only release I recommended buying in this week’s Blu-ray/DVD column, and it’s not difficult to see why. The makers of Coraline have returned with a funny, Amblin-like tale that finds real heart and drama in a story about a young boy who can see and speak with the dead. Norman is shunned by pretty much everyone, but when an evil witch’s curse threatens to raise the dead and destroy the town he becomes an unlikely and unexpected hero. Please note, there are spoilers below, so if you haven’t seen the movie yet skip this and go read my ParaNorman set visit instead.

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Drinking Games

Even though October passed us by almost a month ago, Focus Features has decided to drop its brilliant stop-motion animated film ParaNornman during the Christmas season. Consider it a gift to all of us scary movie fans who can adore this sweet-yet-spooky film in the comfort of our own homes without kids in costumes ringing the doorbell, constantly interrupting to demand candy. Of course, since you’ll be enjoying this film at home, possibly eating the last reserves of your plastic jack-o’-lantern bucket, you can knock back a couple drinks in the process. But go easy on the spirits, considering this movie is good enough to remember without a hangover.

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Editor’s note: With FSR favorite ParaNorman opening today, we thought it was only appropriate to re-post our very special set visit from the film, originally posted on May 21, 2012. I recently visited a nondescript building outside Portland, Oregon that would feel right at home in any corporate office park in America. Nothing about the bland, uninteresting exterior even hinted at what to expect beyond the front doors. There’s no sign outside to tell you where you are. No iconic sculptures alluding to what they do inside. Nothing at all that even hints at the harmonious blend of magic and technology within. But make no mistake, what LAIKA Studios is hiding inside those four generic-looking walls is nothing short of a revolution in film production…a revolution 115 years in the making. LAIKA is the studio behind 2009’s critical and commercial hit, Coraline, a film that utilized creepy but beautiful stop-motion puppetry to tell Neil Gaiman’s dark childhood fable. Their follow-up feature is an original work called ParaNorman. It’s an Amblin-like tale of a small New England town, a very special boy who can see and talk with the dead, and a zombie uprising that threatens to destroy them all. And yes, it’s a comedy. Keep reading for a peek behind the scenes of LAIKA Studios’ upcoming production, ParaNorman, and their secret, high-tech weapon…Rapid Prototype 3D printers.

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“An episode of Scooby-Doo directed by Sam Raimi” is how directors Chris Butler and Sam Fell describe ParaNorman. Their horror-comedy wears its influences proudly. From the John Hughes-esque ensemble to Jon Brion‘s whimsical take on a John Carpenter score, it’s all obvious. Tonally, ParaNorman doesn’t share much in common with LAIKA Studio’s Coraline, a far darker movie. And not only is ParaNorman different from Henry Selick’s film in content, but also in terms of production. Butler and Fell didn’t want to approach ParaNorman as a stop-motion picture, as they saw the technical restrictions in going that route. Instead, they approached the film as if it was live-action, and it shows in the film’s scope and playful camerawork. According to Butler and Fell, they didn’t want to play by the rules of stop-motion. Here’s what ParaNorman directors Chris Butler and Sam Fell had to say about the film’s epic production, how The French Connection and Ronin influenced their zombie car chase, and the future of stop-motion:

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It is possible for family films, like any other film genre (or, for that matter, any other entertainment medium), to play to the cheap seats. It’s just that in the case of family films, those seats are brightly colored, made of molded plastic, and help little Jimmy see over the lady in front of him at the theater. When a filmmaker resigns himself to aiming the core of their movie low enough that only the tiniest of funny bones will be struck, story and character development take an unfortunate back seat. This issue has been raised and examined in many reviews on this particular site, and often due to the fact that the family film under review is guilty of sacrificing craft for a demographic-pandering layup. ParaNorman also calls to mind this issue, but quite fortunately, that’s only because it stands as a sterling example of a film that exists free of that compromise. ParaNorman is the tale of a boy named, unsurprisingly, Norman, who has been blessed/cursed with the ability to converse with the dead. This ability, as one would expect, leads to his being ostracized by his peers, mocked by his sister, and even resented by his father. Norman’s typically benevolent visions of the other side become increasingly sinister and foretelling of a horrible fate facing his community. Are the sins of Blithe Hollow’s past threatening to destroy its future? Is Norman the only person equipped to halt the impending Armageddon? Will saving his town finally get the […]

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published: 11.19.2014
C+
published: 11.19.2014
B-, C
published: 11.18.2014
B+
published: 11.14.2014
B+


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