Charlie’s Angels

My Sharona Scene in Reality Bites

Thirty years ago, Ren McCormack fought for his right in Footloose. “This is our time to dance,” he argued. “It is our way of celebrating life. It’s the way it was in the beginning. It’s the way it’s always been. It’s the way it should be now.” As Kevin Bacon put on his old sweats and threw an old cassette on the stereo for Jimmy Fallon last week, we were reminded in the resonating power of dance scenes… Only, we often remember the most polished dance sequences and forget that “from the oldest of times, people danced for a number of reasons.” Though lists like to remind us over and over of the usual suspects – the films boasting carefully rehearsed choreography ((500) Days of Summer), musical numbers (Singin’ in the Rain), practiced moves (Dirty Dancing), and audacious comedy (Little Miss Sunshine) – there are many memorable dance sequences that break the barriers. Most are raw and unpolished as they push dance out of its narrowly choreographed confines and use it as a method of exploring everything from idiosyncratic inner tension to the charm of goofy exuberance – and they are a pleasure to behold.

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mcg shooting 3 days to kill

Imagine a med student with orange dreadlocks down to his ass during the early 1990s. Do you have that horrifying mental image yet? Any takers on who that now-famous man might be? That’s right, it’s Joseph McGinty Nichol from Kalamazoo, Michigan. Like plenty of driven young filmmakers, Nichol one day dropped out of school, packed his things and moved to Hollywood. Without any connections, he pushed his way into the industry with the help of a pizza delivery service. He put a copy of one of his music videos in a pizza box and had it delivered to an executive, who was tickled enough to give it a watch. That box of pizza gave birth to the man we all now know as McG, the director behind Charlie’s Angels, We Are Marshall, Terminator Salvation and his newest film, 3 Days to Kill. Nichol has had that nickname ever since he was a kid. In some ways, it is representative of his career: a little silly, but self-aware and unapologetic. “It’s never been fun to critically praise a ‘McG movie,’” he jokes. “It even begins with my ridiculous name. My name is who I am. My movies seem to further that difficulty. I try for drama, humor and action and yet try to make well-rounded movies.” General audience members could care less about Nichol’s nickname, but it’s turned him into a punching bag on the Internet, for both fanboys and, sometimes, critics.

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This Means War is, as McG puts it, exactly what you think a McG movie is. It’s as commercial and open as a movie can get, something the director has no shame about. Plenty scoff at the idea of loving the tag of a “populist” filmmaker, not McG. Clearly he sees his films as being more than dumb fun, though, and strives to make sure they’re not that. Films similar to This Means War usually don’t strike audience members as being a “personal” project in some fashion. That doesn’t seem to be the case for McG, as he puts it. This Means War has a scene featuring two of the leads discussing Alfred Hitchock, and you can just feel the director taking the opportunity to talk through his characters. It’s a fanboy touch, and he came off as the most energetic kind in our conversation. Here’s what McG had to say about embracing the title of a populist filmmaker, leaving behind med school for music and film, and reflecting on Terminator Salvation:

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Like NBC & FOX, ABC cleaned house last week by canceling pretty much every under-performing show that was on their schedule. But today they have released the schedule that will be filling all the gaps. Unlike NBC & FOX there is nothing really eye popping or exciting. However, there were some oddities: – The new Tim Allen series Last Man Standing will be leading off Tuesday nights at 8pm – The Middle is being pushed to Wednesday lead off at 8pm – Charlie’s Angels will lead off Thursday nights at 8pm Basically the oddities are that ABC is over-selling their shows. Need I remind everyone about the scheduling disaster that was FlashForward? Fine show, but it was never meant to lead off the night in its first season. And the general rule is you never put a new show as your lead off (even if it is produced by Steven Spielberg, FOX). But why listen to me when you can look at ABC’s schedule and the clips for yourself:

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Continuing with our on-going coverage of all things TV for the next few days, NBC has made yet another pick up announcement for four more series orders. The four pilots that have been picked up to series are “Are You There, Vodka? It’s Me, Chelsea, starring Laura Prepon, Free Agents, starring Hank Azaria, Bent, starring Amanda Peet, and BFF (formerly Best Friends Forever)” according to TV By The Numbers. The astute reader will notice that all of these series are comedies. Could NBC be planning another day worth of prime time comedy in addition to their already stacked Thursday night comedy block? It’s looking very likely. As for the cancellations? The peacock has decided to finally pull the plug on the god awful demon spawn that is The Event. The show has been an absolute mess since day one with a forcefully, and annoyingly convoluted plot. Let this failed show be a sign to all other networks, just because one sci-fi show is successful (LOST), doesn’t mean all of them will be. Of course, that’s not all that got cut.

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What is Movie News After Dark? This is a question that I am almost never asked, but I will answer it for you anyway. Movie News After Dark is FSR’s newest late-night secretion, a column dedicated to all of the news stories that slip past our daytime editorial staff and make it into my curiously chubby RSS ‘flagged’ box. It will (but is not guaranteed to) include relevant movie news, links to insightful commentary and other film-related shenanigans. I may also throw in a link to something TV-related here or there. It will also serve as my place of record for being both charming and sharp-witted, but most likely I will be neither of the two. I write this stuff late at night, what do you expect?

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The actor who is probably best known as the voice of Charlie in “Charlie’s Angels” and as Blake Carrington in the night time soap opera “Dynasty” died on April 1, 2010 at age 92 in Santa Ynez, California.

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Cameron Diaz is Freakishly Tall

If a third Charlie’s Angels absolutely has to happen, do you care who plays the fourth angel?

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Secret Agent Week

Yesterday Kevin Carr unleashed our list of the Ten Greatest Fictional Secret Agents of All-Time, but we know that it is our duty to give you the final say in who really is the world’s greatest fictional secret agent.

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published: 12.19.2014
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published: 12.18.2014
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published: 12.17.2014
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