Caitlin Fitzgerald

Screen Shot 2012-12-04 at 2.23.54 PM

The Fitzgerald Family Christmas marks writer/director/star Edward Burns’ return to capturing the working class milieu of his earlier work in films like indie darling The Brothers McMullen. Somewhat surprisingly, the film also marks Burns’ very first foray into a making a film about the holidays. In the film, Burns plays Gerry, a grown man who still lives with his mother (Anita Gillette) on Long Island. He also lives with the burden of running his family’s bar and filling in for his father (Ed Lauter), who walked out his large Irish family – a total of seven siblings – twenty years ago. When his father announces that he’s dying and wants to spend his last Christmas with his family, the disparate siblings come together and debate whether or not they are ready to forgive their father for the transgressions of the past. Amidst all the family drama, Gerry also strikes up a romance with at-home nurse, Nora (Connie Britton). Here’s what the very prolific Burns had to say about his inspirations for the film, the benefits of working with friends, how VOD is changing independent film, and a little rumor that he might guest star on Nashville…



Once again utilizing his low budget sensibilities and a few friendly faces, writer/director/producer/actor Ed Burns has crafted an impressive adult dramedy that feels blissfully familiar (and awkwardly familial). Newlyweds is a semi-documentary style film that relies almost solely on the talents of its cast – a true ensemble made up of Burns as Buzzy, the cocksure fitness instructor on his second marriage; Caitlin Fitzgerald as his sweetly sarcastic wife Katie; Kerry Bishé (seen above) as his self-destructive sister Linda; Marsha Dietlein as his opinionated sister-in-law Marsha; and Max Baker as Marsha’s perverted old husband (in his second outing as a character named Max for an Ed Burns film). Buzzy and Katie are the kind of couple you want to be best friends with. They’re pragmatic and funny, obviously looking at life through the sober and absurd lens that their first marriages afforded them. They are tonal opposites of Marsha and Max whose 18 years together have given them emotional crow’s feet and an aggressive bitterness that doesn’t make them flinch when it starts gnashing its teeth in public. They could be representations of different stages and styles of relationships as a means to put on display the human fragility of latching yourself on to another human being for “the rest of your life.” Or, you know, they could just be real people. Which is more likely.

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published: 01.31.2015
published: 01.30.2015
published: 01.30.2015
published: 01.29.2015

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