Buddy Cop Movies

The Heat Trailer

Entertainment doesn’t necessarily have to be original to be good. Sometimes things get used over and over again because they make sense and just work. Tried and true, the expression is. This is good news for Paul Feig’s (Bridesmaids) new film, The Heat, because, while its new trailer makes it look like it’s probably going to be a good time in the theater, it also doesn’t seem to have an original bone in its body. What Feig has given us appears to be typical buddy cop fare, where a straight-laced officer gets partnered up with a loose cannon, and while there’s an initial period of friction, eventually they end up bonding. It casts Sandra Bullock in the frigid shrew role that she knows so well, Melissa McCarthy in the role of the slovenly loudmouth that she’s been continually revisiting ever since Bridesmaids, and it seems to follow the usual formula right down to the letter. Heck, this trailer even uses that M.IA. song, “Bad Girls,” that’s already appeared in ads for For a Good Time Call and TV’s The Mindy Project, and that’s starting to feel played out. But, you know what? It’s using that song because it has the sort of hook that sells movies.



Walter Hill’s pairing of Nick Nolte’s grizzled growl and Eddie Murphy’s ludicrous laugh, 48 Hrs., is often thought of as being the genesis of the buddy cop genre, and it’s still widely considered to be one of the best films to come from the category as well. What we’ve come to expect from these movies, what has come to feel old hat, was fresh and inventive back when Hill and the gang were putting this project together, and the formula they used was so successful that we can now expect to get at least a couple high profile buddy cop movies released every year. That gives 48 Hrs. a certain amount of clout. And heck, Hill’s name alone provides it with an amazing pedigree. He was a genre master in the 80s, and these days he gets looked back on as being some sort of film geek deity. It’s no wonder 48 Hrs. still gets shown so much respect. One buddy cop movie that doesn’t often get spoken of with reverence, however, is Tony Scott’s The Last Boy Scout. While trying to process the recent passing of the famed director, it feels nice to look back on this – not one of his better-loved works – give it a reevaluation, and decide whether or not it’s something the film geek community has given enough appreciation to. This wasn’t a well-reviewed film, it wasn’t one of the biggest money-makers of its year, and people don’t look back on it as being […]



Editor’s note: With our own Junkfood addict Brian Salisbury busy writing through the typhoon that is SXSW, we’ve farmed out his column to similarly-minded Rejects. First up – Adam Charles! Welcome back to Junkfood Cinema. Our jokes are as good as our speling. I’m just kidding…we are good speller. You’ve found yourselves in the annals of a column dedicated to nearly all of the works of Sylvester Stallone except for that one when his Mom will shoot and he’ll warn you about it. We eventually plan on retitling this column Junkfood Cinema: It Is The Laauuwww and today we add one more notch onto the “Stallone takes over Junkfood Cinema” tally, but just before we draw the line to make it complete we’ll offer up a suggestion of something to throw down your kisser in celebration. This week, we give you Tango & Cash.



Kevin and Neil celebrate the end of the February movie season by barely seeing any movies. Neil copped out on Cop Out and neither of the Fat Guys were able to see The Crazies before recording.

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published: 01.24.2015
published: 01.24.2015
published: 01.24.2015
published: 01.23.2015

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