Bring Me the Head of Machine Gun Woman

Machine Gun Woman FF

It seems strange that the resurgence of grindhouse pictures that has occurred over the last five years would come on the tails of a heavily produced and advertised film that bombed at the box office. I’m talking about the Robert Rodriguez- and Quentin Tarantino-helmed Grindhouse. I’m not sure that I’ve ever seen a picture that was so monetarily unsuccessful be so immediately influential. Whereas the duo’s film as if had been almost directly stripped from the 1970’s (if it weren’t for the contemporary talent in front of the camera, it would really be hard to tell) and put through manhandled hell, many other current pictures are more akin to recorded cassette tapes of Grindhouse.  Bring Me the Head of the Machine Gun Woman utilizes that same visual homage to exploitation pictures and applies them to a Grand Theft Auto-inspired story structure  about a young DJ in a Chilean dance club forced to find one of the country’s most notoriously accomplished hit-men[woman/persons]. It’s a mixed tape of low budget ’70s filmmaking with the appeal of modern day video game violence and setup, and it’s about as much of a mixed tape of success.


Berberian Sound Studio

As you well know, Fantastic Fest is the one. There are plenty of fine film festivals that take place in many fine locations around the globe. They all show movies, many of which end up on our top ten lists at the end of the year. But no matter what any of those TIFFs and Cannes-fests have, they don’t exactly measure up to the pure, blood-filled experiential goodness that is Fantastic Fest in Austin, Texas. For a fair number of us, this is the most wonderful time of the year. Great friends come into town, great BBQ is consumed by the pound, and a number of carefully programmed movies are displayed just for us on the screens of the Alamo Drafthouse. It’s high praise, sure. But as anyone who has actually attended the festival might tell you, it’s perfectly spot on. Our goal for this year’s coverage – this being our fifth consecutive year covering as a site – is to bring you even closer to the experience that is Fantastic Fest than ever before. We won’t just be filing reviews for the big movies like Dredd 3D and Looper, we’ll be providing looks at every single feature film playing this year’s festival. We’ll have spotlights on filmmakers you should keep an eye on. We’ll show you what it’s like to attend Fantastic Fest. We’ve got a crack staff in place, the one we call the The Fantastic Fest Death Squad. Joining veterans Rob Hunter, Brian Salisbury, Luke Mullen, and Adam Charles are […]

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published: 01.30.2015
published: 01.30.2015
published: 01.29.2015
published: 01.28.2015

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