Bring It On

Superbad

It’s that time of year. School is mere weeks away from starting up again, the biggest blockbusters have had their bows, and the studio releases are transitioning to the distribution equivalent of tossing an old couch on the curb to make room for the new one. May, June and July (and let’s be honest, now April) bring the big crowd pleasers. The last two weeks of summer herald the arrival of the “Everything Must Go” Sales before fall sends us into Oscar bait prestige pictures. Don’t believe me? The slate for the next two weeks includes Sin City: A Dame To Kill For, a sequel that’s arriving at least five years too late; Are You Here, the directorial debut of Mad Men creator Matthew Weiner that garnered early reviews in the exact opposite tone of his acclaimed show; Jessabelle, a release from the Blumhouse factory that’s not getting a plum horror spot, so you know it’s good; and The November Man, an entry in the very neglected genre of CIA agents dragged back into the game because “this time it’s personal!” It’s generally an accepted fact that if a movie is set for the dog days of August, the studio has less confidence in it than Taylor Swift’s latest beau does of being the one guy she dates who doesn’t end up inspiring a song. But every now and then, conventions are made to be broken. Going back through the last fifteen years of releases, I have come up with […]

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In the new movie Pitch Perfect, a boy (Skylar Astin) introduces a girl (Anna Kendrick) to The Breakfast Club. It’s a believable scene, on it’s own. Even if I don’t necessarily think the 27-year-old John Hughes film, classic status notwithstanding, is a hugely important thing to the generation currently heading into college, I can accept that the guy is a movie soundtrack dork who seemingly loves only titles from before his birth and that she genuinely has never seen it. But it is a bit much that the signature Brat Pack film’s ending, with its iconic Simple Minds tune and Judd Nelson freeze-framed fist thrust, is played over and over, and the film figures so prominently into the romantic plot throughout. It all just feels like something from out of the mind of a thirty-something screenwriter rather than that of these modern-day teen characters. And the movie’s writer, Kay Cannon, is indeed a child of the ’80s and admits that The Breakfast Club is something she loves from her youth. Apparently, though, Say Anything was originally the teen movie of that era to be honored and made fun of in the new a-cappella-based comedy. She also is a big fan of Hughes’s Weird Science but couldn’t make it work. But for kids born around 1995, which is the target audience as well as the roles on screen, aren’t there more relevant films to reference? Maybe Mean Girls, Bring It On, Twilight, Rushmore, Juno, High School Musical, Superbad or — going […]

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This week, on a very special episode of Reject Radio, we laugh and cry about the state of independent filmmaking while eating leftover Halloween candy.

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dvdsboughtheader

Rob Hunter loves movies. He also loves training friends and strangers alike in the deadly and mystical way of Jewish martial arts. These two joys come together in the form of cash money payments that he receives every week and immediately uses to buy more DVDs. This week we have Sin Nombre, Good Dick, and Israeli Martial Artists!

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FSR

Kevin Carr reviews the movies the studios didn’t allow him to see early this week: Tyler Perry’s Madea Goes to Jail, Fired Up and Fanboys.

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Fired Up! Isn

Movies don’t get much more insipid than this brainless cheerleader comedy from Screen Gems and Maxim Magazine.

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Bring It On: Again?

This scoop is about something so pointless you just have to read it to find out. It involves Cheerleaders…

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Seriously? You cannot actually believe there is a market for this stuff, can you?

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When the original Bring It On came out on video, I begrudgingly watched it with my wife. However, after seeing it, I found that I kinda liked it – and it wasn’t just because I was watching hot chicks bounce around in cheerleader uniforms.

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published: 12.19.2014
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published: 12.18.2014
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published: 12.17.2014
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