Brad Miska

Editor’s note: Sundance screamfest V/H/S finally hits theaters this week after a successful VOD run, so here’s a re-run of our original review, first posted on January 26, 2012. Chilling! The brainchild of producer Brad Miska, horror anthology film V/H/S features five shorts (and one wrap-around story) from a variety of genre directors, writers, and actors handily proves that the found footage genre is far from dead and there’s plenty of new material to bleed. The film’s “wrap-around” section features a group of Jackass-inspired wankers who get their kicks by filming mayhem and destruction. Dispatched by a mysterious person to break into a house and steal something, they agree – partly for the laughs, partly for the pay-off. The item they must procure? A simple, singular VHS tape. The actual mission? Multi-level and rife with unexpected complications.


“Fangoria” as a gateway drug, YouTube fame leading to feature work, a magical 1998 Camry, the way porn plays with our minds, filming “Safety Second” style, and most of all trying to make found footage horror not feel like boring home movies. The filmmakers behind V/H/S (which is available on iTunes and VOD today) wanted to increase the ratio of scares per minute by combining the new popular subgenre with a throwback anthology style. On this week’s podcast, we mirror that anthology style in order to talk with many of the minds behind the punk horror explosion. Download Episode #147


Anthology horror films are an inconsistent genre by their very nature, but when they work well the results can be fantastically creepy entertainment. Films like Asylum, Creepshow, and Trick ‘r Treat are well written excursions into fun-filled terror. Unfortunately, the anthology film is in decline, and of the handful that do find release only a few manage any degree of consistent quality. Sadly, V/H/S is more miss than hit. The movie features five stories plus a wraparound tale all presented in the “found footage” style, but while the last two segments are pretty damn cool and terrifying the initial three (and wraparound) leave a lot to be desired. They each have a singular standout element, but it’s never enough to make you forget how lacking in scares and thrills they are. (And the third one should have been cut all together.) Much like its home video format namesake, V/H/S chooses running time over quality, and the result is a movie that never really finds its footing until roughly two-thirds of it has passed. But once it hits that second to last story the scares, fun and wide-eyed thrills come fast and hard making the film well worth a watch…provided you don’t mind wading through mediocrity to get there.

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published: 12.23.2014
published: 12.22.2014
published: 12.19.2014

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