Brad Bird

Sometimes writing about movies on the internet has some benefits. I mean, we get all the crappy straight to DVD movies you can think of and sometimes free popcorn. We make next to no money, but in return we get to see movies early and sometimes, just sometimes, we get to see bits of movies before they’re ready. Such was the case recently when I, along with a few other journalists, got a chance to see about twenty minutes of Mission: Impossible – Ghost Protocol projected in a true IMAX theater. If my description, reaction, and thoughts isn’t enough to get you wet with excitement, we’ve also got the new trailer for you, so come on in and read some more.

read more...

For a while there, with the exception of the Toy Story films, it didn’t seem like Pixar was very interested in doing sequels to its big hits. The company focused instead on creating new characters and exploring new worlds every time out. But that focus has seen a shift recently with the studio putting together projects like Cars 2 and Monsters University. And if there ever was a Pixar property that felt like it could use a sequel, even back before Pixar was doing sequels, it was Brad Bird’s tale of a family of super heroes The Incredibles. So what gives? The super hero genre is inherently serial in nature. Why haven’t we heard any news about the further adventures of the mighty Parr family?

read more...

Remember Avatar Day? Remember having to procure tickets for what was essentially an extended trailer? Remember feeling really strange about going to a movie theater for a less-than-twenty-minute presentation? Oh, well, me either, because I didn’t do any of those things, but let’s work from the same sort of frame of mind, but with an actual film attached. Our friends over at /Film are reporting an exclusive tip that Warner Bros. is attaching a six-minute “prologue” for The Dark Knight Rises to all IMAX prints of Paramount’s upcoming Mission: Impossible – Ghost Protocol release. Though the films are coming from different studios, should this prove to be true, such a slice of marketing mayhem will no doubt push interested moviegoers and fans of the Batman to check out the Brad Bird-helmed franchise entry in the IMAX format. Paramount is already making a to-do of their film’s IMAX release, putting that version in theaters on December 16, five days before the film hits regular theaters on December 21. Both Mission: Impossible – Ghost Protocol and The Dark Knight Rises will feature “extensive scenes” shot for IMAX, so this may prove to be the holiday season’s best pairing (beyond egg nog and whiskey). Warner Bros. has declined to comment on the story to /Film, but the team over there has gathered a couple of other sources that confirm it. Will this drive you to check out Ghost Protocol in IMAX? And just what the heck do they mean by “prologue”? Aren’t two previous films […]

read more...

Your mission, should you choose to accept it, is to watch this trailer several times. That’s what it took for me. The first time I watched it, the entire thing was in French. It looked okay. The second time was last night, prior to a screening of Transformers: Dark of the Moon. At the point, I couldn’t help but think that it was a mess of a trailer. Exposition up front, a smattering of incoherently laced clips in the middle, some Eminem for ambiance and finally, a big stunt. After a few more inspection runs just now, I’m seeing some pretty wicked stuff inside Brad Bird’s first live-action film. And I’ve heard from a few insiders that Tom Cruise still has it. It’s hard to throw all that together and not be confident that Mission: Impossible – Ghost Protocol is going to be one hell of a ride. But we’ll see about all that. For now, here’s the first trailer.

read more...

Movies We Love

I am not a gun. In 1999, we had fully embraced the future of animation. Toy Story and A Bug’s Life had already put Pixar on the map and Toy Story 2 was due out before y2k forced us to recreate all computer technology (or not). Because not only were fully computer-animated movies coming out (in addition to the Pixar collection, Antz was another fairly celebrated film and the first Shrek was just on the horizon), they had good stories. They had celebrity voices. They had the backing of major studios who were turning what was once known as kid’s movies into a behemoth the whole family could enjoy and pay full price admission for. This is why a brilliant film like Brad Bird’s The Iron Giant largely gets forgotten.

read more...

Tom Cruise Mission Impossible

Things were going well for the currently in development fourth Mission: Impossible film. Tom Cruise was ready to get back into the shoes of super spy Ethan Hunt. Paramount scored a great director in Brad Bird. And former Alias scribes Josh Applebaum and Andre Nemec were putting together a script. This was all before Cruise’s latest action flick, Knight and Day, took a giant steamer at the box office. Now the word on the street is that Paramount is looking to retool Mission: Impossible 4 and give Cruise’s character a new role: mentor.

read more...

Brad Bird

Two weeks ago, Brad Bird — best known for his work at Pixar with The Incredibles and Ratatouille — was reported to be in the running to make his live-action debut with Mission: Impossible IV. Today we come to find out that Bird wasn’t just on the studio’s director wish list — he might just be their guy.

read more...

Brad Bird

For a while now, The Incredibles and Ratatouille director Brad Bird has been searching for a live-action project to follow three consecutive animated works of brilliance. As of today, it may be the case that Bird will be directing Tom Cruise in his live-action debut.

read more...

Frank Thomas and Ollie Johnston

Ollie Johnston, the last surviving member of Walt Disney’s “Nine Old Men” passed away last night at age 93. Though perhaps the name may not be familiar, the work certainly is.

read more...

oc-1988_1

After scouring Gallery 1988, I found that they have alot more cool art. For instance, the coolest one I found was called “Nobody Wants To Play Sega With Harrison Ford.”

read more...
  PREVIOUS PAGE
Some movie websites serve the consumer. Some serve the industry. At Film School Rejects, we serve at the pleasure of the connoisseur. We provide the best reviews, interviews and features to millions of dedicated movie fans who know what they love and love what they know. Because we, like you, simply love the art of the moving picture.
Comic-Con 2014
Summer Box Office Prediction Challenge
Got a Tip? Send it here:
editors@filmschoolrejects.com
Publisher:
Neil Miller
Managing Editor:
Scott Beggs
Associate Editors:
Rob Hunter
Kate Erbland
Christopher Campbell
All Rights Reserved © 2006-2014 Reject Media, LLC | Privacy Policy | Design & Development by Face3