Boyd Holbrook

14063-4

Small town life and big tragedy take to the big screen in filmmaker Sarah Colangelo’s feature film debut, Little Accidents, a slice of life drama about what happens when a town is hit by a pair of twin tragedies that may or may not be related to each other. Centered on three connected storylines that frequently bump up against each other before finally blending into one full-scale disaster, the film attempts to tackle big questions about grief and blame and responsibility through interpersonal examples. But despite strong acting (including a tear-stained performance by Elizabeth Banks, usually flexing her acting muscles in comedic situations), Little Accidents doesn’t pack much of an emotional punch, weighed down by predictable plotting and an uncomfortable sense that it’s primarily interested in piling on bad situation under bad situation, until everyone involved (characters and audience) simply crumbles under the weight of more cliché. The film opens months after a mining accident has rocked a small town that’s seemingly wholly dependent on its local coal operations. The sole survivor of a mine cave-in, young Amos (Boyd Holbrook) is clearly uncomfortable with the attention his designation has begun affording him, from people declaring that his survival was a miracle to the local union who is putting pressure on him to speak out against the mining company in order to punish them (read: give more money to all of the victims, including Amos). Both physically and emotionally damaged, Amos just wants his life back, and sets about returning to […]

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Bill Murray at Cannes 2012

What is Casting Couch? It’s the casting roundup that’s got news about what weird, clown-related thing Peter Stormare is going to do next. Read on for the juicy details. If your name is Dan Aykroyd or Ivan Reitman, then Bill Murray has been spending the last ten years or so trying to convince you that he doesn’t read scripts. That’s got to sting, because Deadline has a new report that proves this to be balderdash. Murray read Ted Melfi’s script for St. Vincent De Van Nuys and identified with the writer’s work so much that he called him up and invited him out for a drive. One negotiating process later and Murray is reportedly ready to sign on to star in the film, which is about a cantankerous old coot who bonds with a twelve-year-old boy over rounds of drinking, gambling, and generally despicable behavior. Sounds like it’s going to be a hoot.

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