Bob Balaban

Fitzpatrick Turturro

Often I see a real person in the news or in a documentary and my mind immediately comes up with an actor to portray him or her in a biopic. This happened this week when I watched a short film about failed prophet Robert Fitzpatrick, who last year spent his life savings on subway ads in NYC warning that the end of the world would happen on May 21, 2011 (exactly 19 months before the just-passed Mayan choice). The 13-minute documentary, titled We Will Forget, is directed by Garret Harkawik, and you can watch it in full after the jump. Above is a still of Fitzpatrick next to a photo of my choice to play him in a dramatic story of his life, John Turturro. Perhaps you’ll think of someone else (my wife was reminded more of Bob Balaban; you might prefer Zeljko Ivanek or James Rebhorn), but to me Turturro was just born to play this retired MTA worker from Staten Island. He’s like a cross between Turturro’s turn as the real-life Herbie Stempel from Quiz Show and his role as the lonely, reclusive brother on the TV series Monk. There are some other Turturro characters in there, as well, I’m sure. He could definitely do the accent, the mannerisms and the climactic display of confused disappointment seen sadly at the end of the short. As long as the movie itself garned enough attention, this could be a good part to finally earn Turturro his long-overdue Oscar nomination.


Director George Clooney

What is Casting Couch? Proof that not everyone’s tracking Hurricane Sandy’s path on Twitter. Some are still out there casting movies. The big casting news over the weekend was all of the big names that were announced for George Clooney’s next project as a director, The Monuments Men. Deadline had the scoop that this period drama about a group of art historians and museum curators trying to recover important and historical works from the clutches of the Nazis is going to star names like Bill Murray, Daniel Craig, Cate Blanchett, Jean Dujardin, John Goodman, Hugh Bonneville, and Bob Balaban. As far as I know none of these people can even speak German, but you’ve still got to look at that list and be impressed. You could cast this crew as an office full of telemarketers and everyone would still watch the movie, making them heroes during the dying days of the Nazi regime is just icing on the cake.


31 Days of Horror - October 2011

They said it couldn’t be done. A fifth year of 31 Days of Horror? 31 more terror, gore and shower scene-filled movies worth highlighting? But Rejects always say die and never back away from a challenge, so we’ve rounded up the horror fans among us and put together another month’s worth of genre fun. Enjoy! Synopsis For Michael, growing up in the suburbs is anything but ordinary. For one thing, his parents are always serving leftovers and never having anything new to eat. It’s tough enough being the new kid in school, but it’s a whole other thing to wonder where the meat you’re constantly being served is coming from.


Criterion Files

Warning: This article contains spoilers for Moonrise Kingdom. Wes Anderson is known for getting his inspiration from a variety of sources. While Anderson’s signature visual quirks make his films unquestionably his own, the director’s images, themes, and characters also emerge through an amalgamation of materials that inspire him, whether the source be the stories of J.D. Salinger or the pathos of Charles Schulz’s Peanuts. But most of Anderson’s references are to other works of cinema, as detailed in this five-part video essay by Matt Zoller Seitz, which details Anderson’s particular influence by auteurs ranging from Orson Welles to Hal Ashby. However, certain films anchor their influence more directly than others. For instance, The Life Aquatic was greatly inspired by Federico Fellini’s post-Dolce Vita work, and The Darjeeling Limited is dedicated to celebrated Indian auteur Stayajit Ray. In the weeks since the Cannes premiere and commercial release of Anderson’s latest, Moonrise Kingdom, several critics have noted that only does the film seem to be directly influenced by a specific director, but one particular film by that director. Pierrot le Fou, Jean-Luc Godard’s colorful, whimsically anarchistic couple-on-the-run film from 1965 seems to bear a great deal of similarity to Moonrise Kingdom, which takes place the year that Godard’s film was originally released in France (Pierrot’s US release was delayed until 1969, where it stood curiously opposite Godard’s polemical late-60s work). Having read several reviews that cite Pierrot‘s influence on Moonrise, I reflected back on both films, and here are some of the […]


Jared Gilman and Kara Hayward in Moonrise Kingdom

It’s the summer of 1965, and a storm is heading towards New Penzance Island. The small dot of land is home to a few permanent residences, but it’s also a seasonal destination for a troop of Khaki Scouts who camp amidst the lush green forests and golden fields. Scout Master Ward (Edward Norton) awakes one morning to discover the troop’s least liked member, Sam (Jared Gilman), has gone missing. Elsewhere on the island the Bishop family realizes their daughter Suzy (Kara Hayward) has also disappeared. The two pre-teens fell for each other the year prior during a brief, chance meeting, and have now taken off on an adventure as young lovers are prone to do (in movies at least). Sam and Suzy soon have half the island searching for them, but being such a small, sparsely populated place that search party consists almost entirely of the Scout Master, the local constable, Captain Sharp (Bruce Willis) and Suzy’s parents, Walt and Laura (Bill Murray, Frances McDormand). Wes Anderson‘s latest film splits its time between the kids on the run and their mostly adult pursuers, and in doing so it tells two sides of a story that offer equal amounts of humor, whimsy and heartbreak. It’s a return to form for the director and his first to follow-up on the promise of Rushmore and The Royal Tenenbaums as it highlights the wide-eyed possibilities of youth and the harsh reality of adulthood.


Moonrise Kingdom appears to be a delicate fancy of a film – an assessment you suspect might entertain Wes Anderson – offering no more ground-breaking a story than young love, with the director’s traditional preoccupation with whimsy, and creating such artfully created landscapes and characters that they flirt outrageously with magic realism, though without explicit realisation of that concept. But there are weightier issues at hand, of parental neglect, of revolution (not just sexual but also anti-establishment), and it seems completely appropriate that Anderson chose to set it in as provocatively important a time as 1965. The film follows two young lovers – Sam (Jared Gilman) and Suzy (Kara Hayward) – who escape their lives to run away together, and the ensuing chaos of their parents and the local authorities’ attempts to find them: no more than a gentle plot that suggests nothing of the drama and comedy that subsequently unfolds.


Hooray! On May 25th, Wes Anderson‘s latest movie Moonrise Kingdom will enjoy the warm glow of the silver screen. The movie stars Bruce Willis, Edward Norton, Bill Murray, Frances McDormand, Tilda Swinton, Jason Schwartzman and Bob Balaban, and it tells the story of young love that leaves town and causes a search party to form. No doubt, Balaban is looking stately here. Like a young Santa Claus. Ahead of the release, Focus Features has released a team photo of the whole crew, and if you didn’t know it was from Wes Anderson before, this photo definitely isn’t hiding it. Check it out for yourself and click it to make it even bigger:

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published: 12.23.2014
published: 12.22.2014
published: 12.19.2014

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