Black Hawk Down

Tom Hardy has had a break-out few years, pulling himself out of the ensemble obscurity he found himself in even in larger movies (don’t pretend you picked him out of the line up in Black Hawk Down). Sure, he was solid in the Guy Ritchie and Guy-Ritchie-like films, but it wasn’t until Bronson that he really emerged as a major force in the film fan world. That’s when he became a household name in households that have Terry Gilliam-signed Brazil quads hanging in their foyers. Fortunately, he was able to translate that insider appeal into broad-based worship by stealing scenes in Inception and becoming the man that broke the bat in The Dark Knight Rises (which, ironically, means a giant part of the movie-going world still doesn’t know what he looks like). He’s proven himself fearless, and like many actors, he’s had an unusual road to get to the top. In a way, he’s a That Guy character actor who’s become a leading man, so let’s take a short, strange trip into the roles of his rising career. It begins in the ancient time of 2001.

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In honor of the Fourth of July, we are republishing this article from January 2011, as we feel it to be an appropriate act of patriotism. We will now allow you to return to watching Independence Day for the third time. We know that you’re doing it… Aleric, one of our favorite comment providers on the site, tossed out an interesting theory the other day regarding the state of auspiciously pro-American movies being put out by Hollywood over the past ten years. Specifically, that there was a noticeable lack of them in the face of films that criticize. It’s an interesting idea, and like most trends, it’s unclear exactly how bold a trend it is. It’s true that those looking for the World War II levels of Americana from Hollywood are out in the cold. There are probably a dozen reasons for that. Levels of pro-American movie production have never been higher than that era, but it was also a wildly different time for movie making in general (no matter what the subject matter). Still, Rob Hunter and Cole Abaius were charged with the seemingly difficult task of finding movies that celebrated the United States that came out of Hollywood in the past ten years. It’s an oddly specific list, but it’s also a very good list of movies that demand to be seen (whether you agree they’re patriotic or not). Plus, they don’t celebrate any particular political party. They celebrate the highest ideals of the country. Overt flag waving […]

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Ridley Scott on Alien Set

Of the directors we’ve covered in this feature, Ridley Scott might be the most forward. He’s brash an unorthodox, and when speaks, you get the sense that he threw his filter in the trash years ago. At this point, brass buttons are well-deserved. Alien, Blade Runner, Black Rain, Thelma & Louise, Gladiator, Kingdom of Heaven, Black Hawk Down, and a popcorn bucket-full more prove the man’s vision as a storyteller. A movie fan from a young age, Scott first found success as a commercial director. His first flick, The Duelists, was hailed at Cannes but made it to few screens beyond. It was a science fiction journey featuring a seven-member crew woken from stasis to explore a strange signal that made him a major name, and this weekend he dives back into that world with Prometheus. So here’s a bit of free film school (for fans and filmmakers alike) from a bloke from South Shields.

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We’re celebrating with war movies all week long. Today we learn the true meaning of teamwork when a mission doesn’t go as planned.

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