Bill Cosby

The Graduate

This week the world lost a peerless filmmaker (and EGOT winner) who delivered a hot tub full of fantastic films. Mike Nichols put Dustin Hoffman in a compromising position, tortured Meryl Streep and found a grounding commonality even with his most extraordinary characters. We’ll celebrate his work with Professor John Whitehead, author of “Mike Nichols and the Cinema of Transformation,” and try to recapture what made his stories so moving. Plus, Geoff answers your screenwriting questions about third person expository openings (so to speak), the new trend in query letters and whether you should get a script consultant. Double plus, we’ll chat briefly about Bill Cosby and the question of enjoying good art from bad people. You should follow the show (@brokenprojector), Geoff (@drgmlatulippe) and Scott (@scottmbeggs) on Twitter for more on a daily basis. Please review us on iTunes Download Episode #77 Directly Or subscribe through iTunes


The Cosby Show

Yesterday, Roxane Gay published a passionate, compelling and provocative piece on the recent rape accusations that have re-surfaced against Bill Cosby. In the piece, Gay recounts how meaningful The Cosby Show was to her as a child growing up in a black middle-class family, when she was unable to find representations of her world onscreen. She brings this up to demonstrate how Cosby, who has refused to even respond to the accusations except through a lawyer, is hiding behind the goodwill he has earned through his career. As a response, Gay has a clear and simple wish: “We have to demand that his show be taken off the air.” If she was referring to his upcoming show for NBC or his new Netflix comedy special, her words had an immediate impact: both were canceled within 24 hours. But it stands to reason she is also referring to reruns of The Cosby Show. After all, Cosby still gets paid royalties from his prior works, and Gay has asked her audience to “stop supporting any of his endeavors.” From Gay’s perspective, an artist who commits atrocities against his or her fellow man should have their work boycotted because “humanity is nothing compared to art.” It’s that last sentence – the final phrase of her entire article, in fact – that seems wrong to me. How can the concepts of humanity and art be separated? Isn’t art the place where we have conversations about our humanity and, in many cases, demonstrate it? In […]


These 20, alongside hundreds of others, redefine what it means to be a movie veteran.



Hot off the announcement that Adam McKay and crew are finally going to make Anchorman 2 comes word that the director has another project in the works, this one a strange choice for a filmmaker mostly known for absurdist comedies starring Will Ferrell. Deadline Coconut Grove is reporting that, after McKay finishes up shooting on the next Anchorman film, he’s negotiating to begin work on a remake of the 1974 Sydney Poitier film Uptown Saturday Night. For those of us whose memories don’t go all the way back to 1974, Uptown Saturday Night was a comedy that Poitier starred in himself, alongside Bill Cosby, that saw the two of them playing in over-their-head everymen faced with the task of hunting down some shady criminal types. On a whim, the duo go to a seedy nightclub where their wallets are promptly robbed by some thug types. Problem is, one of the wallets contains a winning lottery ticket, so the freaked-out friends have to do whatever it takes to get their property back.

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published: 01.26.2015
published: 01.26.2015
published: 01.26.2015
published: 01.26.2015

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