Best Adapted Screenplay

Oscar Predictions 2014: Adapted Screenplay

Don’t tell anyone, but the screenplay categories, both original and adapted, remain the only Oscar contests that truly matter to me. It’s not just my respect for the written word or any personal interest I may have in the art form, instead it’s the understanding that the script is the singular basis from which every other element of a film builds. Adapted screenplays have the additionally daunting task of taking an existing creation, whether it be a book, article, or television show, and crafting something new, compact, and wholly its own. All but one of this year’s nominees are adapting a nonfiction memoir, while the fifth is a sequel. Keep reading for a look at all five of this year’s nominees for Best Adapted Screenplay along with my predicted winner in red…


The Descendants

While it’s inevitable that one day, perhaps one day soon, the Best Adapted Screenplay category will be jam-packed with reboots and comic book stories and robot superheros flicks, it’s not quite that day just yet. For now, Adapted Screenplay (which, over the years, has also been called Screenplay Adapted From Other Material, Screenplay Based on Material from Another Medium, and Best Screenplay Based on Material Previously Produced or Published) is the refuge of book nerds and theatre wonks. And, also, weirdly enough, sequels (did you know that all sequels are automatically considered adaptations because they must be based on the original story?). This year’s category includes some of the year’s best films (and one I absolutely hated, mainly because I love the original material so much), from a family drama to a kiddie flick for grown-ups, all the way to a political drama and a sports drama and a big, smart spy flick. But, in my mind, there’s just one clear nominee deserving of the award – but do you agree? Read on for the nominations and my predicted winner in red…



Famed British filmmaker Mike Leigh recently received his fifth screenwriting nomination for Another Year. Another Oscar nomination for a highly celebrated filmmaker should be surprising to no one except, in this special case, for the fact that precisely zero of Leigh’s nominated films actually use screenplays. Leigh’s films are constructed through a painstaking and long-term process of creating characters and scenarios with his cast and creative team. His films aren’t improvised in the sense of, say, a Christopher Guest film, where a basic framework exists and actors are allowed to ad-lib and play with(in) that paradigm. Leigh’s films are instead created from the outset through an involved collaborative process. Leigh’s regular team of actors bring to each individual film their construction of a character from scratch. Details arise eventually through this collaboration, and the final work projected onscreen is the end result of a long selection of various possibilities. The only reason Leigh’s films even qualify for screenwriting awards is because of the written script that Leigh creates after the end product has been made. The physical screenplay, in this case, is nothing more than a transcription written after the fact, or a record of a much larger event (whose details are largely unknown to the audience). While Leigh is the sole nominee for Another Year, the creation of the script (or, in this case, the transcript) is just as indebted to the creative efforts of other individuals involved. Stars Jim Broadbent and Lesley Manville are, in a sense, just […]


Regardless of the name, the award’s purpose remains the same… to honor the best screenplay based on previously existing material.

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published: 01.31.2015
published: 01.30.2015
published: 01.30.2015
published: 01.29.2015

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