There are two main challenges with most independent films – time and money. But whether you are dealing with a big budget studio blockbuster or small independent fare, music is usually the last thing to be added and usually puts composers up against tight deadlines with little money left to work with. Brian Tyler, who recently composed the music for Iron Man 3, commented that no matter what kind of movie you are working on, “It’s a race and there’s really no time to second-guess yourself on a movie, regardless of the scale, when the time crunch is upon you.” This race against time is a common adversary for almost all composers, but this time crunch seems especially heightened when it comes to independent films. To dive in to this issue further, I spoke with Ben Lovett who composed the music for two independent films released last year, Sun Don’t Shine and Black Rock. Independent films can be a double edged sword allowing for great creativity (thanks to fewer “cooks in the kitchen” that come with studios), but with less funds and time to work within.