Beetlejuice Sequel

What is Movie News After Dark? It’s a fast and furious chase through the world of entertainment news. Film, television, song and dance, it’s all covered here. Alright, so there isn’t much dancing tonight. But there is mention of the greatest movies of all-time, Lena Dunham’s bite, the girls of Bond, The Avengers, Mad Men and my personal favorite, the craziness of Top Gear. We begin this evening with the first shot from Brian De Palma’s Passion, a film that is apparently about Rachel McAdams and Noomi Rapace making out in the back of a car. Or it’s the tale of “a deadly power struggle between two women in the dog-eat-dog world of international business.” I’m guessing its the later. Either way, this first photo has left its mark.

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Seth Grahame-Smith‘s unwritten Beetlejuice sequel is currently a big, fat maybe. As of right now, Smith has only gone as far to discuss the project with the studio, Tim Burton, and Michael Keaton, who all sound game, as long as one small little detail is taken care of: nailing the script. As I spoke to Smith yesterday, it was obvious he knew the stakes involved in doing a sequel to Burton’s beloved classic. I mean, who on earth wants to be the guy responsible for making a lame Beetlejuice sequel? Obviously, Smith doesn’t want that title. “When Warner Bros. first talked to me about it I said there needs to be two things to happen before I would even consider it,” said Grahame-Smith. “For one, it couldn’t be some kind of reboot or remake with a different actor playing Beetlejuice. I wasn’t interested in that. I wanted actual Michael Keaton as Beetlejuice and an actual sequel to the movie. Two, I said I’d only do it if Tim gave it his blessing and guided the process. I got both of those things: Tim to say if there was a good enough script he would help with the development of it and I got Michael Keaton to say, if the script was good enough, he’d be open to doing it.” He continued, “You know, what I keep telling people is I don’t want to do it unless we’re really sure that it’s worthy. The original is one of my favorite movies, so I […]

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This week, on a very special episode of Reject Radio, Associate Editor Kate Erbland drops by to play Best/Worst and talk Found Fauxtage Films. Plus, we speak with author Ray Morton to get the whole story of why The Beatles made A Hard Day’s Night and we get a special announcement directly from Vimeo that will sound like sunshine to weary independent filmmakers. That is, the filmmakers who want to save some money. Download This Episode

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