Barbara Broccoli

The Ingredients is a column devoted to breaking down the components of a new film release with some focus on influential movies that came before. As always, these posts look at the entire plots of films and so include SPOILERS.  The James Bond series is something of a hub in the course of film and pop culture history. As iconic as it is on its own, it tends to be informed by other material as often as it does the informing. In the beginning, for example, the movies were highly influenced by the works of Alfred Hitchcock. Author Ian Fleming even wished for Hitch to direct the first movie adapted from his 007 novels. And Cary Grant was famously sought for the part of Bond, which would have been interesting had he continued with the second film, From Russia With Love, given how much it calls to mind North by Northwest. Instead, little-known Sean Connery embodied the character, and after the first two installments made the actor famous, Hitch cast him in Marnie. As usual, the director capitalized on a movie star’s pre-existing notoriety, his screen value, which makes it quite difficult for us to see Connery’s Marnie character, Mark Rutland, as anything but James Bond as a wife-raping publisher. Hitch went another step with his next film, Torn Curtain, which was an admitted direct response to the 007 films. He wrote to Francois Truffaut in 1965: “In realizing that James Bond and the imitators of James Bond were more or less making […]


Skyfall is the conclusion of James Bond’s coming-of-age story. At the end of Casino Royale, he may have declared himself Bond, but the young .00 wasn’t there just yet. As shown by the divisive Quantum of Solace, Bond was still a rebel – a guy who took advantage of having a license to kill. He was dangerous. The Bond we see in Sam Mendes‘s Skyfall is still a “blunt instrument,” as producer Barbara Broccoli calls him, but he’s wiser and older now. By the end, all three films tie together nicely, even if you’re not a fan of Quantum of Solace. Broccoli and her fellow producer, Michael G. Wilson, say that was the intention. Here’s what Wilson and Broccoli had to say about now bringing in auteur directors, how James Bond has grown since Casino Royale, and why Steven Spielberg hasn’t made a Bond film yet:


For a long time, Steven Spielberg has expressed interest in making a James Bond picture. From the start of his career and even until after he hit it big time, Spielberg has wanted to bring his Spielbergyness to Bond. Unfortunately for both Spielberg and Bond fans, that dream hasn’t come to fruition. The idea of the mega director and Bond coming together sounds like a perfect match, both artistically and financially. With an idea this good, it’s a little baffling Spielberg hasn’t gotten a crack at Bond yet. Now, we sort of have an answer why. Speaking with producers Michael G. Wilson and Barbara Broccoli at the press day for Skyfall – which completely lives up to the hype – we had the chance to ask them if there’s ever been serious discussions of bringing Spielberg in. In response, Broccoli did share a story regarding conversations between Spielberg and her father, Albert R. Broccoli, over the matter:

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published: 12.22.2014
published: 12.19.2014
published: 12.18.2014

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