Two men sit in a darkened living room watching an 8mm home movie play on a screen before them. It shows a young girl, terrified and sitting on a bed, while a man in a mask sits beside her and begins to unbutton his shirt. The two men head out into the sunshine of the day, driving aimlessly, until they see a young girl on a bike turn down an off-road path into the woods. They follow. It’s July 8th, 1986, and eleven year old Pia is raped and murdered by Peer (Ulrich Thomsen) while the second man, Timo (Wotan Wilke Möhring), watches with equal parts disgust and arousal. The two dispose of the body and return home, but before Peer’s car has been washed of any evidence Timo has packed and boarded a bus out of town. 23 years later, to the very day, another young girl goes missing with only her bike and bag left behind at the very spot where Pia was abducted so many years ago. Writer/director Baran bo Odar‘s film, The Silence, follows the families, the police and the two men behind the original unsolved case in a story that pairs grief and guilt, obsession and duty. A suspenseful journey through other people’s pain, the film nevertheless finds beauty too through its cinematography, score and performances.