Auteur Directors

Wes Anderson

Oh, Wes Anderson. Some have already gotten to see his latest film, Moonrise Kingdom, and even more will see it as it opens wider this weekend. Without seeing his name on the title cards, it’s easy to spot as one of his projects. The auteur has developed a look and feel all his own – usually constructed by primary colors, detailed set design, Britpop, and Bill Murray. This Texan who often lives in France is idiosyncratic in his storytelling, but he’s also unafraid to put his personal demons onto the screen (in as twee a way as possible). From Bottle Rocket to Rushmore to Fantastic Mr. Fox, his work is usually ridiculously rich and infinitely quotable. So here is a bit of free film school (for fans and filmmakers alike) from the son of an advertiser and an archeologist.

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Simon has already weighed in on Moonrise Kingdom – his first Cannes film of 2012 – but we check in with him to see what 6 films he’s looking forward to the most. Plus, Movies.com’s Peter Hall faces off against Landon Palmer in the Movies News Pop Quiz, and we end up asking important questions about repertory screenings. Will the films of the future digitally last forever? Download Episode #134

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With a little less than a week to go until I land at Nice Airport and get the hugely unglamorous Hack Bus into Cannes along with my boys from ObsessedWithFilm.com to begin FSR’s official Cannes film festival 2011 coverage, now is surely a prudent time to offer my thoughts on the biggest and brightest films showing on the Croisette this year. You already know what films are showing, so I won’t exhaustively trawl back through the list, but I wanted to take the opportunity to announce what I am particularly excited about. This also gives me the opportunity post-festival to look back at happier, simpler times when my optimism at seeing four films a day wasn’t yet destroyed by watching three incredibly boring flicks in a row, followed by a blockbuster during which I fell asleep (as happened in 2009). Anyway, lesson learned, and this year I’ll be packing as many natural amphetamines as possible. If you’re heading out there look for me, I’ll be the guy with the grinding jaw, the sallow eyes and the notepad full of doodles/plans to change the future of cinema. So anyway, here’s what I’m looking forward to most.

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Rejoice in another fantastic Reject Interview! As you can imagine, when discussing a movie of this emotional weight and dramatic consequence, we end up discussing Robin Williams’s penis for most of the piece.

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