Audrey Tautou

Mood Indigo trailer

Back away from your fluffy DVD collection, unhand that Cheshire Cat-smiling theatrical poster and give that cardboard box some breathing room — it’s time for us to hit you with a big, fresh smack of charm and colors and Audrey Tautou just like, totally dying. Michel Gondry is back, baby, and he’s got an extremely “Michel Gondry”-looking film to entertain his (adorably) rabid fanbase, all with extra Tautou sweetness to rope in the Amelie obsessives out there. It’s sort of like if drugs were made out of cotton candy and gentle nap time dreams. And, yes, that’s a very good thing. Looking more like the direct descendent of his The Science of Sleep (a film that I will champion until the day I die, if only for the yarn ponies) than a close sibling of Eternal Sunshine of the Spotless Mind, Mood Indigo has Gondry again trafficking in charm, a word that will be used ad nauseum to describe the film, because it’s really the only one that fits. Based on Boris Vian‘s beloved novel of the same name, Mood Indigo sees Tautou and Romain Duris (he’s dreamy) meeting cute, falling in love, hitching up and dealing with imminent death. Wait, what? We’ll get to that, but until then, let’s just soak in all the Gondry-esque charm in the latest Mood Indigo trailer, okay? It’s sweet, we promise. Also, this trailer graces us with perhaps the most definitive and on-the-nose Gondry line ever: “I demand to fall in love, too!” Perhaps we will all fall in love with Mood Indigo, together and after the break.


Mood Indigo

Though most of the people who read this site probably don’t speak French, you’re likely all going to want to watch the French trailer for Michel Gondry’s new film L’écume des jours (or Mood Indigo when we get a trailer in English) anyway. There really isn’t much talking here, and Gondry’s work is so visual that you’ll get the gist of what’s going on anyway. And Audrey Tautou… well, she does adorable in any language.



Delicacy begins with a subtle nod to When a Man Loves a Woman‘s opening as a young man named Francois watches a beautiful woman enter and sit down. As the waiter approaches her Francois makes a mental prediction as to her order, and if he gets it right he promises himself that he’ll work up the courage to approach and talk to her. He does, and soon the two are embracing outside. They were simply re-enacting their meeting, playing the roles of strangers on the cusp of a romance, but in reality they’re already deeply in love. Their parents occasionally pester them for grandchildren, but Francois (Pio Marmai) and Nathalie (Audrey Tautou) put plans for a baby on hold “for when they’re talked out.” They’re happy and content and looking forward to a full future. But when he’s struck and killed by a car, Nathalie is forced to continue on without him. Or at least try to. She blocks out friendly attempts to help her, throws his belongings into the trash and rushes back to work sooner than expected. Her career becomes her sole focus, and a few years later she’s heading up large projects at work and still romantically unattached despite the best efforts of her impassioned but somewhat smarmy boss. And then the giant Swede walks through the door.



The Green Hornet was a brief interlude into the mainstream (or as far into it as he could go) for Michel Gondry. The director seems far more at home when working with the fantastical, the sweetly bizarre, and the effects that are done in-camera. Fortunately, he’s got his passport stamped and he’s ready to return to that world. According to Variety, Gondry will be adapting the Boris Vian novel “L’ecume des Jours” for the screen. According to Google Beatbox, that translates to The Foam of Days, but they’ve added another “the” in for good measure. The plot focuses on a man who invents an instrument that plays both for the ears and nose who falls in love with a woman, but after the two are married, they discover a rare medical ailment which demands that she always be surrounded by flowers. As if that weren’t Gondryesque enough, it also tells the story of another couple and their quirky issues. Plus, he’s got a hell of a cast lined up.



In 1919 Mathilde is still awaiting the return of her fiancé, Manech who left for the front two years earlier. She has been told he was killed on the battlefield at the Somme but refuses to believe he’s dead. Mathilde launches her own investigation into his fate to prove the official story wrong.



As a part of FSR’s Decade in Review I’ve been tasked with coming up a list of the most memorable, landmark performances since 2000.



Let’s face it. We love Audrey Tautou. We love pictures of Audrey in the forthcoming Coco avant Chanel as well.



Foreign Objects travels the world of international cinema each week to look for films worth visiting. So renew your passport, get your shots, and brush up on the local age of legal consent, this week we’re heading to… France!

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published: 01.30.2015
published: 01.30.2015
published: 01.29.2015
published: 01.28.2015

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