Rey Ciso (Adam Brooks) was once the most celebrated film editor in the world, but ever since a lapse in judgement while working on the longest film ever made left him four fingers short he’s been relegated to cutting trashy genre movies for no-talent hacks. When cast members on his latest project start turning up dead the cop investigating the crimes, Det. Peter Porfiry (Matthew Kennedy), immediately sets his sights on Rey forcing the editor into a race against time to identify the real culprit before it’s too late. His efforts are complicated by several factors including the possibility that he may be the murderer after all. The list of suspects is as long as Dario Argento’s Giallo is terrible and includes Rey’s wife Josephine (Paz de la Huerta), an actor named Cal (Conor Sweeney) who’s benefiting from the newly available roles, Rey’s eager new assistant (Samantha Hill) and the head of a nearby asylum played by Udo Kier. To be fair Dr. Casini is a very small role, but anytime Kier’s in a movie it’s only common sense to consider him a suspect. Astron-6 is a Canadian collective of genre filmmakers who lean toward the ridiculous, and the results are not for everybody. They’re not even for most people. Hell, judging by their budgets and audience numbers they’re barely for anyone, and that’s a damn shame because The Editor is not only their best film yet but also one of the best comedic horror films to dirty up the screen in years. It’s […]


The Coroner

Troma is many things to many people. Scratch that. Troma is either one of two things to some people. If you grew up watching classic Troma flicks like The Toxic Avenger, Sgt. Kabukiman NYPD, or Tromeo & Juliet, you probably have a soft spot for the low budget film company headed by icon Lloyd Kaufman. If, however, you missed out on these classics and instead just picked up some of the more recent offerings, you probably think Troma is a pile of shit. I have a lot of respect for Troma. I’m a big fan of Lloyd Kaufman and I’ve read three of his “Damn Movie” books. History should remember him in the same vein as Roger Corman – a low budget businessman with a vision. Few people have had a bigger impact on the world of independent film. Even I must admit that in recent years, the offerings from Troma have not always been fantastic. Much like how Corman disappeared for years, Kaufman too shrank back from the public eye. Movies were made, but little attention was paid. With the recent success of his books though, Kaufman and Troma are coming back in a big way and leading that charge is Father’s Day.

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published: 12.19.2014
published: 12.18.2014
published: 12.17.2014

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