Annie Mumolo

Lawrence, Sans Mop

Scorsese and De Niro. McQueen and Fassbender. Tarantino and L. Jackson. Sometimes the forces of filmmaking are so profound that director and actor are willed into a state of artistic BFFship; a bond that cannot be broken unless some homewrecker named Leonardo DiCaprio saunters into Gangs of New York with the intention of stealing away another man’s bestie. Now, the latest pair of cinematic buds seems to be David O. Russell and Jennifer Lawrence. They’ve spent Russell’s last two films together (Silver Linings Playbook and American Hustle), and today Deadline reports their intent for a three-in-a-row teaming. It seems Russell is in talks to direct a biopic of Joy Mangano, the world’s leading pioneer of self-wringing squishy mop-thing technology, and he’s looking at Lawrence to star.


The Artist

Hey, who says there are no original ideas in Hollywood? Well, us actually, whenever we have to write about the next 80s-era television show getting a big screen reboot that no one on God’s green earth could possibly want to flash in front of their eyeballs on a giant cinema screen. But this year, there were at least five films that sprung from original ideas that were solid enough to get the ol’ Best Original Screenplay nod. Really, at least five. There’s five in this category! There could be more, but I’m too busy thinking about the Valley Girl reboot to come up with any of them right now. Giggles and bad jokes aside, this year’s Oscar race for Best Original Screenplay is actually pretty, well, original. We’ve got an awards season frontrunner, a raunchy lady-centric comedy (how often do you hear “raunchy” when it comes to the Academy Awards? Not often, that’s how often), a Sundance flick about the financial crisis, a foreign film getting all sorts of (well-deserved) praise, and the latest from one of the Academy’s most nominated filmmakers. This category is truly one hell of mixed bag. What’s perhaps most interesting about this race is that it four of its nominations belong to newcomers to the Oscars, while its fifth nominee is Woody Allen, who has received more nominees in this category (15) than any other screenwriter in the history of the awards. But does that little bit of trivia spell “winner”? Read on for the […]



It’s been a year filled with silent screen stars seeking redemption, the 1920s coming alive in Paris, a young boy searching for the first great director, sex addicts in New York City, horses going to war, maids of dishonor, and skulls getting crushed in elevators. Now it’s time to celebrate all of those things and more with the 84th annual Academy Awards. They’ve come a long way since the Hotel Roosevelt in 1929 (although sex addicts have almost always been a fixture). Get to ready to smile, ball your fists with snubbed rage, or be generally unsurprised. Here they are. The 2012 Oscar nominees:


Bridesmaids Plane Kristen Wiig

The last couple weeks have been full of chatter about a sequel to Kristen Wiig’s hugely successful starring vehicle Bridesmaids. It all started when Wiig herself (who also co-wrote the film) said that she wasn’t working on a sequel, and instead was moving on to writing something new. That got us all speculating. Just because she’s not doing the sequel now doesn’t mean she never will, we told ourselves. Then there was the reality that needed to be faced that the studio could try to put together a sequel even if Wiig wasn’t involved. As long as they got breakout star Melissa McCarthy back, fans would probably be more than happy to file back into the theaters for some Wiigless fun, wouldn’t they? But now, after some additional comments Wiig has made on the subject, it’s looking like all the speculation was for naught. McCarthy has gone on record as saying that she would never participate in a sequel that didn’t involve Wiig, so that possibility is out. The only hopes for a sequel then lie in the notion that perhaps Wiig will want to come back to the property after she does something else. But no, that’s not the case. Wiig flat-out told E! at the Golden Globes, “We’re not planning on doing one.”



Last year’s lady-centric comedy Bridesmaids cost Universal $32 million to produce and ended up banking over $288m at the box office. Plus it made viable, hit anchoring stars out of both Kristen Wiig and Melissa McCarthy. So, would you imagine that the studio wants to make a sequel? The answer is yes, yes they do, very much, but unfortunately they have a huge stumbling block in front of them. According to a report from THR, the original film’s co-writer and star, Kristen Wiig ,isn’t interested in doing another one. When asked about the potential sequel, that should definitely be once again written by Wiig and her collaborator Annie Mumolo and directed by Paul Feig, Wiig replied, “We aren’t working on that. Annie and I aren’t planning a sequel. We are writing something else.” Oh. Ouch. That sucks for Universal. THR’s speculation over why Wiig refuses to play ball centers on the minuscule $100 thousand bonuses the cast got on the first one, after it became a runaway financial success, but Wiig refused to comment on whether her reluctance to work on another Bridesmaids is financially motivated or not. She also might not want to start doing comedy sequels because she’s trying to move her career in a more dramatic direction. She’s got upcoming dramatic roles opposite people like Annette Bening in Imogene and Robert De Niro in The Comedian. That sounds like a potential springboard into Oscar territory to me. Doing something as lame as a “getting the band back […]



While Bridesmaids is clearly an ensemble comedy with a lot of great performances, I came out of it thinking that it had one clear star making turn. If you want to believe the oft-repeated marketing hype that Bridesmaids is a female version of The Hangover, then the clear Zach Galifianakis of the group was Melissa McCarthy. Everyone in the film gets at least a couple strong zingers to throw at the audience, but it’s McCarthy who provides most of the big, gut punching belly laughs by fearlessly laying bare all of the character’s foibles for everyone to see. I’ve never seen Mike and Molly, so I don’t know what she’s like on that show, and I can barely recognize her as the same actress who played the bubbly and annoying Sookie on Gilmore Girls; so her performance hit me as a real revelation. When I walked out of Bridesmaids, the strongest reaction I had to it was a feeling that we’d be seeing a lot of Melissa McCarthy in the days to come. Well, it looks like that future is already coming to pass. In an interview with Inside Movies McCarthy spills the beans on not only a new project that Bridesmaids director Paul Feig is developing for her, but also on a project that she is writing for herself. On working with Paul again, McCarthy said, “It’s really overwhelming. If Paul asked me to come over and vacuum his house, I would be like ‘Ab-so-lute-ly! Do you need your […]

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published: 01.25.2015
published: 01.25.2015
published: 01.25.2015

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