Annette Bening

Howard Hughes

It’s hard to imagine, but it’s been thirteen years since screen legend Warren Beatty has starred in a film, the last time being in 2001’s Town & Country. Even longer than Beatty’s absence from the silver screen is his desire to get a project off the ground centered around famed reclused aviator Howard Hughes. After 20 years of negotiating, Beatty’s got the financing and the rest of cast on board to go forward with filming his untitled pet project, in which he’ll direct and star as Hughes and be supported by a talented cast. The film isn’t a biopic of the iconic pilot — those duties go to 2004’s The Aviator, starring Leonardo DiCaprio — but rather a story about Hughes’ loyal (and likely long-suffering) assistant and the assistant’s love interest, played by Alden Ehrenreich (Beautiful Creatures) and Lily Collins (The Mortal Instruments: City of Bones), respectively. Though details about the film are sparse beyond that tidbit, previous reports stated that Collins’ character would actually turn her attention away from her assistant beau and fall for Hughes himself; it’s not clear if that’s the case anymore, but it’s certainly an interesting pairing if there ever was one.



Kristen Wiig is one of those one in a million comic talents. She doesn’t have to do anything funny, she just is funny. Even if you were to stare at her just sitting still and not really doing anything, it’s unlikely you’d be able to last for more than a few seconds without cracking a smile. We’ll call it the Chris Farley effect, and it’s the sort of thing that allows her to effortlessly elevate the material she’s delivering to heights it likely wouldn’t reach if handled by anyone else. But can even a talent on the level of a Kristen Wiig help make the material that this trailer for her new film, Girl Most Likely, is serving up go down any smoother?


Christina Hendricks

Some actors worry about keeping strict control over how the world perceives them and making sure that they don’t get typecast, but Mad Men’s Christina Hendricks seems to think that if you look that good dressed up in the garb of the period, why not follow up your head turning, 60s-set breakout performance with another role steeped in the same decade? To that end, she has accepted a role in director Sally Potter’s upcoming anti-nuke movie Bomb, which tells the tale of a couple of teenage girls who become part of the Ban the Bomb movement and also learn a little bit about free love and their own blossoming sexuality along the way.There isn’t yet any word on what role Hendricks will play in the film, but she joins a cast that already includes Elle Fanning and Alice Englert as the main girls, and is also rumored to soon pick up names like Alessandro Nivola and Annette Bening as well.


Universal Pilgrim Variant Logo

Studio logos are an iconography all their own, but nothing puts a grin on my face like a spiffy send-up of a traditional company emblem tailored made to gel with the film I’m about to watch. Don’t get me wrong — nothing’s going to top classics like Alfred Newman’s Fox fanfare, Jerry Goldsmith’s Universal tune or the countless other openings ingrained in our cinematic memories. But when someone takes the recognizable logo and makes it their own…well, that’s when I get giddy. For decades, movie studios have been allowing filmmakers to tinker slightly with the prestigious logos that preface every film they release. Nothing too crazy — maybe a color shift or a throwback to a retired bumper — but nothing that would tarnish their reputations. These days, most movies are free to run wild. Many stick to the time-honored traditions of their studios, but the ones that don’t feel that much more special. Regardless of a film’s quality, a great logo is like the cherry on top for most movie buffs. Here are fourteen modern variants that bring a little extra magic to the pictures they kick off:


Annete Bening Best Actress

This article is part of our Oscar Week Series, where you will find breakdowns and predictions for all of the major categories. Some of you might be confused as to what the Best Actress category is exactly. Don’t worry; it’s easy enough to explain. You see, Best Actress is just like the award for Best Actor, except it’s for people with lady parts only. Why there needs to be a gender distinction when it comes to giving out awards for acting performances is beyond me. Is there something inherent in one of the genders that would give them the edge when it comes to acting? Or maybe this is a relic of an older Hollywood where all of the really meaty roles were written for men and actresses didn’t have much more to do than be the object of affection? I think we’re past that point now. I would argue not just that female actors put out work equal to male actors in 2010, but also that they were on the whole given more interesting characters to play. I say that this is the year where we need to band together and call for the end of award discrimination. Who’s with me? Maybe you should look over the nominees first. They are as follows, with my winner prediction in red.



Emotions are running high in Hollywood this morning after the announcement of this year’s Academy Award nominations. Or at least that’s the sort of thing that people say when they talk about the Academy Awards. I don’t know if anybody really takes this kind of stuff seriously or not. Variety has been hard at work getting reactions from as many of the nominees as possible, which may just give us some insight. Joel and Ethan Coen may have given the most sincere response by saying, “Ten seems like an awful lot. We don’t want to take anyone else’s,” but they weren’t the only ones who avoided the word “journey” like 90% of the pack.


Culture Warrior

Amongst the universal critical applause currently being bestowed upon Lisa Cholodenko’s The Kids Are All Right, one bit of praise seems to connect them all: that the film isn’t didactic or preachy regarding the same-sex couple at its center. In other words, it’s a film about a gay couple but doesn’t overtly shout that it’s about a gay couple; the premise isn’t addressed as if it were unique, exceptional, or odd – nor is it, arguably, a major source of the film’s comedy – rather the film proceeds without seeming intent on making a statement on gay couples or gay child-raising in contemporary society.



The summer movie season is known for a lot of things… explosions, CGI overload, superheroes, and sequels to name a few. What it doesn’t really see a lot of are films dealing in human emotions, raw truths, and real life. The Kids Are All Right is one of the rare exceptions to that rule (that I just made up), and aside from implying that anyone would be sexually attracted to Julianne Moore it just may be the most honest film of the summer. Joni (Mia Wasikowska) and Laser (Josh Hutcherson) are California teens living with their two moms. Nic (Annette Bening) birthed Joni and Jules (Julianne Moore) birthed Laser, both through artificial insemination from the same sperm donor, and life has been fairly conventional up until now. Joni has recently turned eighteen and at the constant nagging of her brother has contacted the sperm bank in the hopes of meeting their biological father. Paul (Mark Ruffalo) is a laid back restaurant owner in a casual relationship with an employee (the stunningly beautiful YaYa DaCosta), and he’s both surprised and intrigued at the idea of meeting the end result of his past donations. Nic and Jules reluctantly welcome Paul into their lives and soon the calm and orderly existence they thought they had is turned upside down.



The moment after The Kids Are All Right bursts open with a feverish soundtrack, it is easy to see that this movie has great energy. And great energy is a great start.



Indie film! Same-sex couples! Mark Ruffalo! It’s not all as sensational as it sounds, but Annette Bening and Julianne Moore are involved to let us know The Kids Are All Right.

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published: 02.01.2015
published: 01.31.2015
published: 01.30.2015
published: 01.30.2015

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