Andrea Osvart

The standard plot of a horror film today is to have a group of people partying for thirty minutes, followed by a descent into chaos and mayhem, either by creatures or madman. Aftershock follows that formula exactly. The movie does almost nothing to be unique, but it doesn’t stop the film from being a wonderfully enjoyable mess. With this being the first time Eli Roth and Nicolas Lopez have written together, it’s clear that Roth had a lot of input as the film plays very much like how Hostel and Cabin Fever did. It establishes early the idea of the holiday excursion, all the fun our gang is having and the character dynamics to expect. There’s the outsider, Gringo (Eli Roth), the fun loving crazy guy, Pollo (Nicolas Martinez), and the depressed best friend who just won’t stop talking about his ex-girlfriend, Ariel (Ariel Levy).  While out enjoying the country’s hospitality, they meet a trio of ladies who persuade the men to visit a more authentic part of Chile. While on that side of the country, at yet another (authentic) party/club, there is a massive earthquake. Hoping the worst is over, the group finds a way out of the club only to find that the town has become completely devastated and anarchy has taken over in the blink of an eye. As they try to find safety from the madness, aftershock after aftershock ravage the city.

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