Amanda Peet


HBO’s Sunday night programming block, steadily fashioned over the years to serve as the home to Lena Dunham‘s divisive Girls, is now making room for some grown-ups. Mark and Jay Duplass‘ Togetherness (the brothers’ first foray together into scripted television programming) makes its debut this weekend, sandwiched between Dunham’s twentysomething ladies on the loose dramedy and Michael Lanham‘s other-coastal and male-centric alternative Looking, providing yet another look at the inherent disappointments of adult life. It’s a wily addition to the cable giant’s lineup, but it charms emerge in some unexpected ways — mainly, through the charms of a certain co-star. The series follows four (seemingly) different adults — Mark Duplass and Melanie Lynskey as married couple Brett and Michelle, parents to two cute kids and a host of raging sexual issues, with Steve Zissis (who co-created the series alongside the Duplass bros) on board as Brett’s loserish best pal Alex and Amanda Peet similarly starring as Michelle’s unsatisfied sister Tina. The series premiere opens with Alex, a struggling actor, being evicted from his home and Tina, visiting Brett and Michelle’s adopted hometown of LA, getting brutally dumped by a guy she thought she was dating (Ken Marino, who is gloriously awful and douchey as Craig). The awkward foursome soon inhabit the same house and the show’s premise — what happens when four mostly unhappy adults live together? — is off to a charming, if oddly heartbreaking start.


Starz Digital Media

Howard (Clark Gregg) is a Hollywood agent handling child talent, but his efforts to find new clients are constantly undermined by his nemesis, the smoother and flashier Aldo (Sam Rockwell). Once a childhood actor himself, Howard believes he has something different to offer these vulnerable kids. He’s been where they are and feels he’s that much closer to them on a personal level. When Howard meets the self-admitted “precocious” young actress, Lydia (Saxon Sharbino), he knows she’s destined to be a hot commodity. She’s soon pursued for a role in a big YA adaptation — think Twilight, Divergent, Mortal Instruments — and at least for the moment it looks like Howard’s luck is on the upswing. Lydia has talent and actually seems to care about Howard enough not to quickly replace him with a better agent, but her father Ray (Paul Sparks) has other ideas.



Clark Gregg’s 2008 Choke may be the lesser known of the cinematic world’s big screen Chuck Palahniuk adaptations (it is, after all, hard to compete with names like Fincher, Pitt, and Norton), but the multi-hyphenate’s directorial debut adeptly translated the author’s trademark black humor to the screen without a hitch. For his second feature, Gregg again goes in for funny stuff with a truly dark edge and, for at least its first half, Trust Me is more brutally and bruisingly amusing than just about any other current comedy around. But Gregg’s stellar first half ends with one hell of an abrupt, tone-changing twist, and he’s never able to fully reconcile his dark humor with true darkness. Trust Me takes its audience inside the twisted world of dealmaking amongst Hollywood elite – specifically, the twisted world of dealmaking amongst Hollywood elite trying to capitalize on the talent and ability of would-be child stars. Gregg is still interested in trafficking in regular guys with extreme problems – while his Choke centered on Sam Rockwell’s otherwise-average-beyond-that-crushing-sex-addiction Victor, Trust Me focuses on Gregg’s Howard, a sad sack Hollywood agent trying to find the next big kid thing. It’s not easy and it’s not fun and Howard’s particular career path seems like the most weirdly soul-crushing career path imaginable. But Gregg’s Howard doesn’t know any better and he doesn’t know anything else – he’s been in the game since he was just six years old, back when he was a child actor himself, and it’s […]



The year 2008 must have been a strange one for Clark Gregg, as that year marked the multi-hyphenate’s big break into the Marvel Universe with the debut of his role as Agent Coulson in Iron Man. Since then, Gregg has gone on to co-star in other Marvel properties Iron Man 2, Thor, and The Avengers, along with taking center stage in two of Marvel’s “One-Shot” short films. And while that success has been quite well-deserved, it does come with a footnote, because 2008 was also the year that Gregg’s directorial debut, Choke (from the Chuck Palahniuk novel of the same name), hit screens. The Sam Rockwell-starring film bowed at the Sundance Film Festival, earning a Grand Jury Prize, Dramatic nod for Gregg and a Special Jury Prize, Dramatic for his cast (which also included Anjelica Huston, a still-emerging Kelly Macdonald, and Brad William Henke), but it went on to earn less than $4m in worldwide release. Fight Club this was not. And Gregg hasn’t written or directed a film since – which is a shame, because Choke is nothing short of excellent and exuberant and insane and true to the spirit of Palahniuk’s work and complete with some wonderfully oddball performances). In short, we’ve been waiting for a new Gregg film ever since. And now we’re getting one.


2012 Movie Roland Emmerich

The Mayans, the wise race of ancients who created hot cocoa, set December 21st, 2012 as the end date of their Calendar, which the intelligent and logical amongst us know signifies the day the world will end, presumably at 12:21:12am, Mountain Time. From now until zero date, we will explore the 50 films you need to watch before the entire world perishes. We don’t have much time, so be content, be prepared, be entertained. The Film: 2012 (2009) The Plot: Disaster filmmaker extraordinaire Roland Emmerich gives audiences his vision of how the world will end in this 2009 blockbuster. As the clock ticks closer to December 21, 2012, geologists and other scientists discover various anomalies happening to our planet. Solar flares are tossing neutrinos across space, and they are impacting the Earth’s mantle. They predict global catastrophe as the crust shifts and the Earth’s plates rearrange. Eventually, massive earthquakes wipe entire cities off the globe while one family, led by John Cusack, makes an escape in a limousine of awesomeness.



This week, Fat Guy Kevin Carr dresses up in a big red suit and sneaks into people’s houses. The only difference is that he sneaks into the houses of all the naughty girls. But before he can manage that undertaking, he sets his sights on the last wash of movies hitting the multiplexes this season. He travels with Jack Black to the Bermuda Triangle in Gulliver’s Travels then heads out west to catch a killer with True Grit. Finally, he brings his Christmas movie watching to a close by stabbing himself in the face with Little Fockers. Ho ho ho, the humanity!



At first, I was blinded by the light. Upon seeing former Doctor Who vixen Catherine Tate for a split second in this first trailer for Gulliver’s Travels, I was smitten. After viewing the trailer a second time, I saw what was really going on.



Kevin Carr heads out to the movies this week, making a stop in a fox hole with the Fantastic Mr. Fox, and then moving on to the end of the world.



When they tell you not to panic, that’s when you run. I’m almost certain that we’ll all be running when Roland Emmerich’s latest film, the über-apocalyptic thriller 2012 hits theaters.


2012 Header

Some say the world will end in fire, some say in ice. Personally, I think chocolate pudding will somehow come into play. A new teaser for 2012 suggests it may also involve giant walls of water.


As a filmgoer, there are some films you see advertised that you just know you’re gonna hate. The advantage of being a filmgoer in this situation rather than a film critic is that you can simply choose not to see it.

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published: 01.25.2015
published: 01.25.2015
published: 01.25.2015

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